Wednesday, 20 March 2013

What do you look for in historical fiction?

What do you look for in historical fiction? What to you makes reading or writing historical fiction different to reading or writing other fiction genres?
Do you like a detailed study of real-life historical figures? Or do you prefer a fictional character who somehow 'captures' a particular aspect of the time?
How important is the historical setting to you?
How do you feel about anachronisms, whether in customs, organisations, beliefs or behaviour?








If you have a favourite historical fiction writer, who is it, and why?
Do you have a favourite historical time period? Why that time?




Please come and share your likes, dislikes and observations in the comments section below. If you are a historical fiction writer, why not share details of your work, why you enjoy writing historical fiction, and details of your website and books?




If you are an avid historical fiction reader, please come  and share titles of those books you really enjoyed, names of authors whom you enjoy, plus those time periods which you like to read and why.

 Have fun!

Lindsay

Sunday, 17 March 2013

New Release in the US! A BARON IN HER BED ~ The Spies of Mayfair Series, Book One

London, 1816. A handsome baron. A faux betrothal. And Horatia's plan to join the London literary set takes a dangerous turn. Now that the war with France has ended, Baron Guy Fortescue arrives in England to claim his inheritance, abandoned over thirty years ago when his father fled to France after killing a man in a duel. When Guy is set upon by footpads in London, a stranger, Lord Strathairn, rescues and befriends him. But while traveling to his country estate, Guy is again attacked. He escapes only to knock himself out on a tree branch. Aspiring poet Horatia Cavendish has taken to riding her father's stallion, "The General", around the countryside of Digswell dressed as a groom. She has become bored of her country life and longs to escape to London to pursue her desire to become part of the London literary set. When she discovers Guy lying unconscious on the road, the two are forced to take shelter for the night in a hunting lodge. After Guy discovers her ruse, a friendship develops between them. Guy suspects his relative, Eustace Fennimore is behind the attacks on his life. He has been ensconced in Rosecroft Hall during the family's exile and will become the heir should Guy die. Horatia refuses to believe her godfather, Eustace, is responsible. But when Guy proposes a faux betrothal to give him more time to discover the truth, she agrees. Secure in the knowledge that his daughter will finally wed, Horatia's father allows her to visit her blue-stocking aunt in London. But Horatia's time spent in London proves to be anything but a literary feast, for a dangerous foe plots Guy's demise. She is determined to keep alive her handsome fiance, who has proven more than willing to play the part of her lover even as he resists her attempts to save him.

Review: 

~Romantic Historical Lovers~ Where History Meets Passion

This story has all the elements of a perfect Regency romance, a handsome Frenchman in fear of his life from unknown quarters, a beautiful girl trying not to fall in love with him and a mysterious Lord who becomes his friend but seems to know a lot more about him than a stranger should.

As a fan of Maggi Andersen, she has done it again with ‘A Baron In Her Bed’, with a mystery encompassed within a love story that has to be solved, and races along to a satisfying conclusion.



PG Excerpt:
She patted The General’s nose and fed him an apple. By the time the last of it had disappeared, she heard the clip of a horse’s hooves on the gravel drive. She peeped out of the barn door and saw the baron, tall in the saddle, riding towards the house.
Horatia stepped out and beckoned him. He caught sight of her and rode towards the stables then dismounted and led the horse inside.
“Sorry, my lord,” Horatia said, adopting Simon’s gruff voice. “We have no footman here. No under-groom neither. I’ll stable your horse.”
“Simon, good fellow,” he said warmly. “I came to thank you again. I am indebted to you.”
“No need for that, my lord,” she said. “Everything’s right and tight here as it happens.” She turned her back to lead his horse into one of the stalls. Seizing a brush, she bent and swept it over the horse’s flanks.
He came to rest an arm on the stall door. “I am relieved. If you had lost your job, I was going to ask you to work for me.”
She straightened to brush the horse’s back, confident of the poor light. “Mighty good of you, my lord. But not at all necessary.”
“Eh bien, merci encore.” He turned towards the door.
Relieved it had gone so well, Horatia stepped out from behind the horse. She looked up to see if he had gone and found him watching her with his arms folded.
The elation left her, and she took a deep, shaky breath.
“Did you really think you could go on fooling me?” A note of outrage lay beneath the humorous tone in his voice. “How many people around here have red hair like yours?”
“My hair’s not red,” she said, incensed. “It’s chestnut.”
“I wondered how far you would carry this ruse, Miss Cavendish.”
She backed into an empty stall as he strode towards her.
He followed her inside. Reaching over, he whipped off her hat, and her hair came loose and tumbled around her face.  “So, what do you have to say in your defense?”
“Nothing, my lord.” Horatia lifted her chin, her heart pounding loud in her ears. She chewed her lip. She would have to brazen this out.
Annoyed blue eyes stared into hers. “I do not like to be toyed with. I thought there was something wrong with me.”
“Pardon?”
“Watching you bend over in those breeches. Zut! From the first, I felt a strong attraction to you. And then, when I saw you dressed as a woman, I understood.”
“You knew it was me at the dance?” She scowled. “And you deliberately teased me?”
“Don’t you think you deserved it?” He seized her shoulders and gave them a shake. “You tricked me. Why?”
She swallowed. “No trickery, my lord. I was dressed this way when I found you, if you recall. I needed to keep up the pretense.”
He shrugged. “But why do you dress like that?”
She couldn’t explain her restlessness to him and tossed her head. “I prefer to ride astride.”
He raised a brow. “You like a strong beast moving beneath you?”
She bristled at the insult. “I like to ride alone.” He made it sound as if she gained some sort of indecent enjoyment from the exercise. Her face heated. To ride astride was unfeminine, she knew, but that fact had never bothered her before.
“But to do so places you in peril.”
Horatia drew herself up. “I can handle myself as well as a man.”
“You believe that, do you?” His gaze flicked over her. What was he thinking? She quivered under his scrutiny.


Buy Links:
Regency romance, historical romance, adventure, suspense, Maggi Andersen.




Wednesday, 13 March 2013

The Opening Chapter of THE GILDED LILY by Deborah Swift


There is no greater compliment than 'Give me more!' Susanna Gregory 
Impeccably written historical fiction Let Them Read Books 
The author excels in making the reader care for the two girls Historical Tapestry 
 the plot is gripping with plenty of twists and turns History and Women
Beautifully written and meticulously researched, the novel drew me straight into the teeming streets of Restoration London. an addictive, page-turning read.Mary Sharratt 
A fast-paced adventure peopled with ruthless villains and feisty heroines whose exploits grab the imagination and add suspense and excitement to a historical gem Lancashire Evening Post

Watch the Trailer


Special offer only £1.32 on kindle

EXTRACT

Westmorland 1660
Netherbarrow
Chapter One 

Anyone else would probably scream – woken in the night like that, with a hand clamped over the mouth in the pitch black. But not Sadie, she knew it was Ella, even though she heard not a single word, for the smell of her sister’s skin was as familiar to her as her own.

A blast of cold air buffeted her through her thin shift as the covers were wrenched back over her feet. Sadie scrambled out of bed. Silently she felt the floorboards for her clothes, shivering as she slipped her arms awkwardly into her bodice and tied on her skirt, with fingers fumbling in half-sleep. She tripped as she put on her clogs and one of them clattered down.

‘Sshh,’ said Ella. They listened in breathless silence for a sound from below. Sadie could hear nothing, except her own heart beating.
A cuff round the ear. ‘Carry them, mutton-head.’
Sadie felt a strong grip steering her shoulder and Ella’s voice hissed in her ear. ‘If you waken him, I’ll do for you.’

Ella half pushed her down the stairs and out of the front door into the wet, before she had time to catch her breath. In the white chalk of the lane Ella was silhouetted in the darkness; Sadie could just make out her dark eyes in the pale oval of her face and the outline of her hair, which had escaped from her cap and sprung into curls from the damp.

‘Is it time?’ whispered Sadie. ‘Have you come for me already? What shall I fetch over?’
‘Nothing,’ said Ella shortly, almost dragging her along the road. ‘Hurry, can’t you.’

Sadie hopped along, trying to fit her clogs on her feet as she went. This was not what she had imagined at all. When Ella had left home to be the Ibbetsons’ lady’s maid she had promised Sadie she would come back for her, as soon as she could find her a position in the household. But surely they wouldn’t be asking for her in the middle of the night.

‘Why are we in such a fret? What’s the matter?’
‘Muzzle it. Or I’ll leave you behind.’ She set off at a run, with Sadie hanging onto her sleeve, haring down the road through the sleeping village, under the shadowy dripping trees. Though at fifteen she was three years younger than Ella, Sadie was almost as tall, but she was not used to running and soon had to let go of her
arm.

Ella did not slow – her skirts were hoisted up over her knees, her feet kicked up gobs of dirt as she ran. Sadie dropped behind,clutching a stitch in her side, but when she saw the flash of her sister’s white calves getting smaller she forced herself to sprint on behind her, pounding through the puddles, her eyes screwed up against the sting of the rain.

The big house loomed up ahead of them. The windows were blacked-out holes, no smoke came from the chimneys. They stopped on the front step, both of them doubled over and panting.Ella produced a key to open up and thrust Sadie into the hall.

Sadie tried to calm her breathing, expecting to see a housekeeper,a footman or other staff. From long-standing habit she pulled her hair forward over the left side of her face to hide the wine stain on her cheek. Strangers often feared this birthmark as a sign of bad luck. But she need not have worried – there was nobody there.She rubbed her eyes and wiped the drizzle from her face with her sleeve, letting her dark hair fall back. It was the first time she had been inside the Ibbetsons’ house. She peered around eagerly.

Ella took out a tinderbox from the drawer and lit a candle on the side table. Sadie gasped as it illuminated a sudden sheen of polished wood panelling. Ella turned around to face her, holding the candle. She was breathless, her face grim. In the flickering light her eyes were like swimming fish, darting from side to side.
A dread settled on Sadie’s shoulders like a cloak. Something was wrong.



Timid Sadie Appleby has always lived in her small village. One night she is rudely awoken by her older and bolder sister, Ella, who has robbed her employer and is on the run. The girls flee their rural home of Westmorland to head for London, hoping to lose themselves in the teeming city. But the dead man's relatives are in hot pursuit, and soon a game of cat and mouse begins.

Ella becomes obsessed with the glitter and glamour of city life and sets her sights on flamboyant man-about-town, Jay Whitgift. But nothing is what it seems - not even Jay Whitgift.


Can Sadie survive a fugitive's life in the big city? But even more pressing, can she survive life with her older sister Ella? And when an altogether different danger threatens Ella's life, will Sadie run to the rescue, or turn the other cheek?


Set in London's atmospheric coffee houses, the rich mansions of Whitehall, and the pawnshops, slums and rookeries hidden from rich men's view, The Gilded Lily is about beauty and desire, about the stories we tell ourselves, and about how sisterhood can be both a burden and a saving grace.

Published by Pan Macmillan and St Martin's Press

Sunday, 10 March 2013

Lindsay Townsend - Prehistoric Romance and a Sacred Site

Photo of Avebury by Jim Champion (from Wikimedia Commons)
TV series about the early pre-history of Britain always bring back memories for me of stone circles. Not of Stonehenge, however, but of Avebury, where my husband and I spent some time when I was writing Bronze Lightning. I took my heroine Sarmatia to Avebury and used the powerful setting for important scenes in the story.

As a place Avebury remains impressive and intriguing, despite the ravages of time and the deliberate vandalism of some of the huge stones. It’s older than Stonehenge and much bigger, incorporating several circles, avenues and barrows. The ditch was dug by red deer antler picks and was 30 feet deep. Its proximity to the West Kennet long barrow and Silbury Hill, the largest man-made mound in Europe, has led some archaeologists to speculate that this is a vast ritual site.

I've noticed, though, that the star status of Stonehenge has tended to put Avebury a bit in the shade. Is it because the massive stones don't have lintels? Or because the tiny village of Avebury has grown up within the site and so it doesn't appear as broodingly untouched?

Anyway, when we were there, it seems ages ago now, there was a white pheasant squawking in the village, a flight of old Lancaster bombers flew over to mark a wartime anniversary and the chimney of the cottage had a birds' nest in it. I have a soft spot for Avebury.

Here is an excerpt from Bronze Lightning my historical romance set in prehistory in Bronze Age Britain and Europe. In it, my heroine Sarmatia, a Kretan bull leaper, has been captured by the evil ruler Carvin and prevented from joining her betrothed, Fearn, who is now king of  the Atterians to the north. Sarmatia sees and walks amidst the stones of Avebury. To her and the people who live there it is a sacred site, a fertility site they call the Making Way. The other two places mentioned are the Hill of Earth (my name for Silbury Hill) and the Hag Mound (my name for the West Kennet long barrow.)


Excerpt:


Sarmatia poured the frothy beer from the jug, an evil suspicion growing in her mind. She did not look at Carvin as she handed him the first beaker.
'When can you leave?'
'Today, Lord, if you wish.'
'You know what to say?'
'I remember.'
'Tell me again, to be sure.' Carvin sucked in a mouthful of beer, motioned for more.
Sarmatia refilled his beaker, slopping the dark liquid into the cup as she heard her own name. The rider was quickly-spoken and his speech was formal, but the phrases that she did catch increased her alarm. For something to do, she started to pour the rider a beer, dashing the lip of the jug onto the tall drinking vessel with a clash.
Carvin smiled. 'Let us drink now to a fruitful conclusion of our work. And to your safe journey. It's a long ride to the Atterians!'
Sarmatia clenched her teeth, willing herself to be silent. Pleading would do no good here. Better to remain quiet and try to remember that the rider was taking nothing north but words. No proof. She moved and steadily filled the second beaker to its brim, but when she offered the rider the cup Carvin grabbed her wrist, pulling her down onto her knees.
'Give that shepherd-boy king back his trash, too,' he said harshly. 'No bitch of mine wears another man's token!' And though Sarmatia tried to stop him, Carvin ripped the leather thong from her throat in one searing tear, tossing Fearn's ring to the booted messenger. 'Here.'
Sarmatia started up, but the rider had been waved away and Carvin had his hands in her hair. 'I'll take these, too!' He wrenched the seal stone which had belonged to Sarmatia's mother from her wrist and dragged the Egyptian crocodile torc from her neck. 'No—' Carvin laughed as Sarmatia grabbed for the seal stone and struck her across the face with the torc. 'You have them back only when you've pleased me.'
Sarmatia fell against the bed, clutching her bloodied mouth. Carvin's face hung above hers. 'You're mine! I spun your shepherd-boy a pretty tale: said you'd fallen into my bed for the price of an earring. What do you think he'll make of that?
'That foul ring would convince any man,' he muttered tonelessly, lashless eyes widening, 'And even if the fool guesses you're my slave, what can he do? There are more sheep than men in his patch of dirt!' Carvin's voice grew shrill. 'His kind were eating grass when mine were ruling!'
Carvin rasped on and Sarmatia buried her head in the bearskin covering the bed and tried to shut him out. This was the end. Fearn would see the ring and perhaps even believe the messenger's story. He would despise and then forget her—forever. She would grow old as the slave of Carvin.
Sarmatia choked and pushed away from the bed, but as she tried to rise, Carvin caught her hair again. 'No tears?' He yanked her cold face into the light from the door. 'No touching scene? Don't you want me to recall that rider? No, it's too late now!' The man laughed and stifled Sarmatia's plea with a perfumed hand. 'Guard!'
A bronze-covered soldier strode into the hut and stopped at the other side of the hanging, staining the cloth black with his shadow.
'Lift back the covering!' Carvin ordered.
Momentarily, Sarmatia was aware of daylight again, but then was blinded by cold, green sparks of fresh pain when Carvin's fingers slithered round her jaw and squeezed. He spoke to the guard without taking his eyes from her.
'I wish to prepare for the feast, tonight,' he said. 'This piece can earn her bread by cooking it. See to it!' Carvin released Sarmatia with a spiteful push that sent her skidding along the chalk floor. Then, as though he had forgotten her existence with his dismissal, the man absently thrust out his tongue and licked the blood from his fingers. Her blood.
Revolted, Sarmatia found she could not stop looking until he had swallowed, then she lurched to her feet and stumbled outside with the guard.
Gradually, the relief of her temporary escape pared some of Carvin's misery away, and Sarmatia became aware of a world outside herself. This older guard, Riard, was one of the better ones. He might even allow her to visit Bride.
'Riard, I'll need some rowan berries for the sauce.' This was a lie. She would do no more than was demanded of her, but rowan trees grew close to the lean-to forge.
'Right. Let's get off this hill then.'
Relieved it had been so easy, Sarmatia picked up an earthen crock. Clutching it close, she drew a comforting warmth from its sun-glazed sides. Whether Riard saw the gesture or whether he too breathed freer away from Carvin, Sarmatia never knew, but the guard began to talk to her as they tramped away from the hill-fort.
'People might call me daft, but I always think this place is the oldest in the whole of the world.' Pointing out across the open countryside, Riard traced the long line of the horizon with his spear. 'Everywhere you look is holy. The Hill of Earth and the Hag Mound and the Making Way, where my wife and I walked to get our second child.'
Where Fearn and I will never walk, thought Sarmatia, her eyes picking out the granite sarsens of the Making Way that ran through the small oak wood of the valley and up and over the gently sloping meadows. She sighed and rubbed as much of her arms as she could without dropping the basin. Whenever she had dealings with Carvin, it set her skin on edge. Taking a chance on the guard's good humor, she asked, 'Where's the stud field, Riard? Can we go there?' It was important that she see Gorri, make certain the horse was safe. Up in the hill fort with Carvin, there was not so much as a shrew. Carvin kept no pets. Except her.

Lindsay
http://www.lindsaytownsend.co.uk
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Wednesday, 6 March 2013

Cynthia Haggard: 'The Thwarted Queen'

Welcome to Lady Cecylee’s Memoirs, titled THWARTED QUEEN. The excerpt I am about to present comes from Volume 3 of her ladyship’s memoirs, titled THE GILDED CAGE. Before I present it, I thought I would give you some background:

1. The Londoners were famously rambunctious. They did not kow-tow to royalty. Rather, they thought that the Kings and Queen had to earn their respect. This was because London was a huge city, and its wealthiest citizens were often bankrolling the monarchy. In a power vacuum, the Londoners always held the trump card, because if you displeased them, they locked the gates to the city. You could not get crowned.

2. At this time, the English have held territories in France for over 350 years. The King of England actually owns more of France than the King of France does.

3. Last year, King Henry VI married a French princess, Marguerite d’Anjou. The custom is for her to bring a large dowry to England, to provide honor and lands to the match.

4. Earl of Suffolk was sent to negotiate the deal. Unfortunately, Henry had fallen in love with a secretly-obtained portrait of Marguerite, so Suffolk knew he had to get her at any price. As you will see, the price was high.

5. We come in on a conversation between Humphrey, Duke of Gloucester and Richard, Duke of York. Gloucester is the King’s uncle, York, the King’s cousin. And York is married to Cecylee, the protagonist of the novel. It is April 28th, 1446.


A wine cup banging on the table pulled him out of his thoughts. As he looked at it, the ruby wine sloshed out, the cup skidded, and it fell to the ground with a clatter.
A servant scurried out to clear the mess, but Gloucester waved him away, went to his fireplace, and pounded the hood with his fist. “I don’t believe it!” he roared.
Richard, Duke of York, sank back in his chair and wiped his face with the back of his hand.
A servant materialized with a bowl of water and a napkin for washing his face and hands, while another poured a full goblet of Gloucester’s best claret. Richard downed his goblet and signaled for another. He nodded for the messenger to leave. He’d forgotten about this latest piece of treachery, he’d been so preoccupied with Cecylee. Really, he sometimes felt he barely knew his own wife.
Gloucester turned. “I can scarcely believe the king would do this.  The English people won’t abide it. We must go to court at once and learn the truth of the matter.”
❦
“What is this I hear about Maine and Anjou?” roared Gloucester, striding into the king’s presence chamber, followed by York. He made only the most perfunctory of bows.
King Henry shrank into the cushions of his elaborately carved chair.
Queen Marguerite, however, rose from her low stool and stood tall, arms folded. “They belong to my father.  It is part of the marriage agreement, is that not so, my dearest?” She turned to Henry.
“Yes,” murmured Henry, moistening his lips with his tongue.
“It can’t be true,” said York, gazing at the King, who steadfastly refused to look him in the eye.
“It is,” said Marguerite, lifting her chin. “My lord the king has solemnly promised the King of France that he will return these territories to my father by the thirtieth day of April.”
“The thirtieth day of April?” stormed Gloucester. “You mean in two days?”
Marguerite nodded.
Gloucester paled.
“Does the council know of this?” asked Richard.
King Henry stared at the floor. 
“What about the governors of Maine and Anjou?”
King Henry twisted his ring.
“You mean to say that you arranged this—these provisions of the treaty and told no-one?” roared Gloucester. “Not the council, not the governors, not the magnates, and least of all me?”
There was silence. As Richard studied the king, he saw the jaw twitch. Of course. This idea was too stupid even for King Henry. “Suffolk knew didn’t he?” said Richard.
“And Cardinal Beaufort!” spat Gloucester.
“The Cardinal is a man of the church,” said Marguerite. “You should not abuse—”
“This is absolutely breathtaking,” shouted Gloucester. “I can’t believe you would be so stupid. What? Give back the territories that we won under your glorious father? It can’t be true!”
“It is,” said Marguerite, coming forward, her eyes flashing. “And you, my lord, should mind your manners around the king.”
“I have never heard of such addle-pated goings-on in all my days,” shouted Gloucester. “You must be out of your mind!” He stormed off, banging the door behind him.
“Sire,” said Richard, bowing low. “This is a most ill-conceived piece of diplomacy. Mark my words, you will live to regret it.” He hurried after Gloucester.
❦
Richard urged his palfrey into a gallop so that he could catch up with Gloucester, riding east to the city. What is he going to do now, thought Richard, following Gloucester along the Strand towards Saint Paul’s Cathedral. As soon as they got to the churchyard, Gloucester vaulted off his horse, threw his reins to a groom, and mounted the steps of Saint Paul’s Cross.
Richard followed.
The Londoners were enjoying themselves in the spring sunshine, it being that time of day after the main meal when people come out to pay visits, shop, and enjoy a fine afternoon stroll. In one corner of Saint Paul’s churchyard, a number of well-dressed citizens fingered the leather covers and the crisp pages of those new-fangled printed books. There were goldsmiths and silversmiths. There was a woman selling spring flowers. There was even a horse merchant, whose restless charges stamped their feet, tossed their heads, and added a pungent odor to the scene.
Just outside the door of the church stood a group of London merchants. The soft leather of their boots and gloves displayed their wealth, as did the exotic and colorful material of their robes, their jewel-encrusted collars, and the many rings on their fingers. They were outdone only by their wives, who wore as many necklaces, rings, and brooches as possible crammed onto their costumes. Richard bowed to one beldame passing by. She had so much cloth in her headdress, her husband must belong to the clothier’s guild.
As Gloucester arrived at Saint Paul’s Cross, the people immediately began to gather, separating Richard from his mentor. “Good Duke Humphrey!” they shouted. “‘Tis Good Duke Humphrey!”
Gloucester bowed.  A tapster from a nearby alehouse ran up to hand him a mug of ale.
He looks years younger, thought Richard, glancing at his friend basking in the approval of the crowd. How ironic that it is the people of England who respect him, not his aristocratic peers.
The crowd gathered around Saint Paul’s Cross, buzzing with excited anticipation as the horses neighed.
“I wonder what he’s got to say,” said the bookseller.
“I’ve never seen anything like it,” said the flower seller. “Most of them fancy people never bother with the likes of us.”
“Duke Humphrey, he’s good,” said the horse merchant. “He talks to us. Tells us what’s going on.”
“He’s become a champion of good governance,” said a well-dressed gentleman.
Duke Humphrey held up a hand, and the crowd fell silent.
“My friends, I have come here today to tell you about a piece of treachery. Nay, I can scarce believe it myself, and if any of you had told me this, I would think I had had a bad hangover from the night before.”
Some youngsters in the crowd erupted into laughter. Their elders grew watchful and silent.
Richard accepted a tankard of beer and stood by Gloucester. He looked at the faces tilted up before him. They don’t seem overawed, he thought, sipping his beer. This country is not like France, where the common people grovel before the aristocrats. These people seem to know that their voices count for something.
Gloucester raised his hand again. “Would you believe it, but in return for Margaret of Anjou, the Earl of Suffolk negotiated a marriage settlement in which we give away Maine and Anjou to the French.”
The crowd recoiled. “No!” they shouted.
Richard grew uneasy.
“Yes, good people. Yes: I am sorry to tell you so, but there it is.”
“What does this mean for trade, sir?” asked a man, a fashionably dressed woman on his arm.
“You lose the revenues from the counties of Maine and Anjou,” replied Duke Humphrey. “You lose revenues from wine.”
“Is our wine trade going to dry up?” asked one merchant with a red nose.
“Not unless we lose Bordeaux. So far, we are just talking about Maine and Anjou.”
The crowd responded with a harsh bark of laughter.
“But I can tell you,” continued Gloucester, “that the loss of Maine and Anjou means the loss of goodly fruit.”
“No more pears!” exclaimed a young girl with golden hair hanging out from an upstairs window. “But that’s my favorite fruit.” Her high voice sailed over the noise of the crowd.
“No more Anjou pears, madam,” said Gloucester sweeping her a low bow.
“Jacinda, do not shout out of the window. It is not ladylike.” A woman with an elaborate horned headdress appeared and gently pulled the child away. “Please accept my apologies, my lord Duke,” she called down. “She is very free.”
“Do not worry, madam,” said Gloucester bowing again with a flourish. “You have a charming daughter.”
Applause and cheers greeted this remark.
“What about the landowners of Maine and Anjou, my lord?” asked a merchant dressed in fine crimson silk, rubies winking from the collar around his neck. “What about their lands and holdings?”
“A good question.” Gloucester held up his hand to still the whispers and murmurings of the crowd. “They will be obliged to give up their lands. They will be forced to come home with nothing and start afresh.”
The crowd erupted into boos and murmurs, which grew louder. Richard looked at his friend.
“I see you look puzzled, good people,” remarked Gloucester, as the restless crowd grew silent. “Let me spell out the terms of the Treaty of Tours by which our king gained a wife. By this treaty, we give up Maine and Anjou. In return, we get exactly—nothing. That’s right. Nothing. The queen did not even bring a dowry with her. Can you believe it? Can you believe that Suffolk would be so stupid, so asinine, so treacherous, as to throw away something that we gained in a fair fight for nothing in return?”
“No!”
Their roar threw Richard backward. He moved closer to Gloucester. “They’re getting upset,” he hissed.
Gloucester ignored him. “And all for a queen worth not ten marks,” he remarked, holding up his tankard of ale. “I feel personally betrayed.”
“We are betrayed!” roared the crowd. “A queen worth not ten marks!” They turned and hurried down Ludgate Hill in the direction of Westminster, shouting as they went.
“What are they going to do?” asked Richard.
Gloucester chuckled. “They are going to Westminster Palace, to shout insults at the queen.”

Buy at Amazon.com

Cynthia Haggard 

Author of THWARTED QUEEN, 

2012 B.R.A.G. Medallion Honoree
Finalist for 2012 Global e-books Awards
Finalist, Historical Fiction Category, 2012 Next Generation Indie Book Awards

now on Amazon, CreateSpace, Goodreads, and Redroom.


WEBSITE & BLOG: http://www.spunstories.com/

AMAZON: https://www.amazon.com/author/cynthiasallyhaggard

LINKEDIN: http://www.linkedin.com/in/cynthiahaggard

FACEBOOK: http://www.facebook.com/cynthia.haggard

TWITTER: http://twitter.com/#!/cynthiahaggard

Sunday, 3 March 2013

A tale of surprises


My most recent story went up onto Amazon Kindle on 26th December. I had intended to make it Christmas Day, but my timetable slipped a wee bit but hey! Boxing Day is almost as good.
So this story is about Melanie Grey, once a duchess but scarred and lacking confidence as the story opens and she faces the world as a penniless widow. She applies for a post as housekeeper in remote Northumberland, thinking to avoid contact with people as much as possible. Of course, she has no idea how much this simple decision is going to change her life......
 
Excerpt:
 
A crash woke her. Pitched into wakefulness, heart thundering, she stared across the darkness of her room. Had she dreamed that noise? Then it came again, followed by a hoarse cry. Clutching the covers to her throat, body rigid, she listened.

‘Miss Grey!’

A faint, choked cry from somewhere within the house. A man’s voice, unmistakably calling her name. Lord Jarrow? Putting fears of marauders and robbers aside, Melanie swung her feet out of bed and groped her toes into her slippers. She felt for her wrap on the chair by the bed, and hastily slung it around her shoulders. Tying the sash as she went to the door, she fumbled for the carved brass handle and stepped out into the corridor.

A faint radiance came from the stairhead, where starlight, or moonlight, perhaps even the approaching dawn, shed light through the dome. She had no idea of the time, but if dawn was approaching, it still had some way to go.

Faint thumps and an occasional grunt came from the lower floor.

The table tucked against the corridor wall held matches and candles. Giving silent thanks for her forethought in storing them there, she struck the match just as a louder groan was followed by a crash that sounded as if it came from the library. A spark flew up. Recoiling, Melanie dropped the match, saw it hit the floorboards and hastily stamped on it. She needed to be careful, for white phosphorous matches caused dreadful burns when a wayward spark hit flesh. Concentrating on what she was doing, she carefully struck the second match and lit the candle.

With the candleholder held aloft like a banner, she hastened to the stairs. The flame flickered wildly, and she slowed in order to shield it with her hand. Cold air rushed into the hall through the open front door.

Leaving the candle holder on the stairs, she approached the heavy door and closed it, shivering in the cold air and praying she hadn’t shut trouble inside the house. Perhaps if she shouted, the Master would come? But surely it was he who had called her name? Hurrying to retrieve her candle, she saw nothing out of the ordinary.

‘Is anyone there?’ Small and quivery in the silence of the hall, her voice seemed lost in the darkness.

Footsteps sounded to her left, and she turned in alarm to the open library door. A faint, flickering light outlined the tall, masculine figure blundering toward her.
 
I hope you liked the excerpt! If you want to read on, it will cost you a mere £1.11 and here's the buy link:  here
and here's the link to my recently re-vamped blog http://jenblackauthor.blogspot.com

Wot, no Vampires?

I mention that I’m writing a paranormal romance trilogy and people’s minds instinctively turn to vampires, werewolves and incubi. It’s enough to make me reach for the cross and garlic.

What many readers don’t realise is that today’s demons were yesterday’s gods, supplanted during the rise of Christianity. They were gradually demonised because the population refused to give them up.

In the Torc of Moonlight trilogy I’m writing about the resurrection of a Celtic water goddess, and not that long ago these ladies were thicker on the ground than might at first be supposed. In the UK the most prominent is Aqua Sulis, she of the golden waters of Roman Bath which are still visited by thousands of tourists every year.

Another is the spring at Walsingham, Norfolk, very much taken beneath the cloak of modern Christianity, where in 1513 Erasmus said that the waters were "efficacious in curing pains of the head and stomach." Notable to me, he also said that the shrine was surrounded by “gems, gold and silver”. A water goddess always had her hoard, from Beowulf’s mother of Grendel to King Arthur’s Lady of the Lake. After all, don’t you toss coins into pools and make a wish? So which deity is it that you think you’re invoking?

Just as with a consideration of Our Lady of Walsingham, subtexts are teased to the surface in Torc of Moonlight; not everything is as it seems.

Nick joins Alice in her quest to discover the shrine to a forgotten Celtic water goddess but Alice isn’t certain that opening her heart to him is a good idea. There have been too many coincidences in her life and none have been benign. Mesmerised by Alice, Nick is in denial - until he sees a jewelled sword fade in his hand and knows that he, or the thing that shadows him, has held it, and bloodied it, long ago. To tell Alice will make her flee him; to do nothing could kill her. Is his love strong enough to defend her against a force he doesn't understand?

As the unnamed goddess resurrects throughout the trilogy, she drags along the ghosts of previous eras. In The Bull At The Gate, Nick and Alice are in York, a city with history cramped within its mediaeval fortifications stretching back to the Roman legions, and where deep in modern cellars sacrificial victims strive for the light. 

Multi 5* Torc of Moonlight is available now as an ebook and paperback
Ebk: USA Kindle ¦ UK Kindle ¦ Nook ¦ Kobo ¦ iTunes
Pbk: Amazon USA ¦ Amazon UK ¦  B&N ¦
Bk Depository

The Bull At The Gate is scheduled for publication in late summer 2013

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This blogpost originally appeared on LindsaysRomantics