Showing posts with label Celtic. Show all posts
Showing posts with label Celtic. Show all posts

Thursday, 16 November 2017

"Apollo's Raven" Guest Post by author Linnea Tanner

“Apollo’s Raven,” Historical Fantasy set in Ancient Rome and Britannia

Linnea Tanner




“Apollo’s Raven” is a Celtic tale of forbidden love, magical adventure, and political intrigue.


Blurb:

24 AD Britannia is in turmoil. Celtic kings hand-picked by Rome to rule are fighting each other for power. The Celtic Warrior Princess Catrin is swept into a political web of deception when the Roman Emperor Tiberius demands allegiance from her father, King Amren.

After King Amren takes Marcellus, the great-grandson of Mark Antony, as a hostage, he demands that Catrin spy on him. Romantically drawn to Marcellus, she learns a curse cast by the former queen threatens the fates of the king and herself. Torn between her forbidden love for the enemy and loyalty to her family, Catrin calls upon the mystical powers of the Ancient Druids to alter the dark prophecy that looms over her.



Excerpt (taken from the first chapter when Catrin enters her raven’s mind to scout the warships landing offshore near the white cliffs):

Catrin again hesitated. Once before, when she had melded and disconnected from her raven guide, she lost consciousness. It took awhile for her head to clear after that episode. If that happened again, it could spell disaster so close to the precipice.
She stepped away from the cliff’s edge and stared into the Raven’s eyes, which glowed like amber gems. The bird’s talons emitted a bolt of electric heat into her arm. A light flashed in her mind, and the Raven’s essence permeated her core being. She knew that she had entered the Raven’s prescient mind.
The landscape appeared blurry until she adjusted to the Raven’s eyesight. Brightly colored wildflowers dazzled her with purple hues that she was unable to detect with her human eyes. A thrill rushed through her veins as she sensed the bird’s breast muscles contracting to flap its wings. When the Raven began its thrust into flight, she felt the misty air lift its outstretched wings.
When the Raven soared toward the channel, she could see her human form standing as motionless as a statue on the emerald hilltop clasped to the jagged precipice. The sheer chalk cliffs formed an impenetrable wall against the crashing waves. Beyond the cliffs, there was a sparsely vegetated shoreline toward which several ships were sailing and where other vessels were moored. Armored infantrymen were disembarking, wading to the shore, and marching across the beach. On higher ground, soldiers set up tents in a square encampment. One of the guards had a lion’s head covering his helmet. In his hands was a pole with a silver eagle on top. She assumed it meant powerful animal spirits were guiding them.
A palatial tent in the center of the encampment caught her eye. Its outside walls were made of twined linen sheets, violet and red, brocaded with eagles. Surrounding the central structure were crimson banners, each emblazoned with the sun god in a horse-driven chariot. At the tent’s flapped entrance were two foreign noblemen attired in purple-trim white togas. Another man, towering over the foreigners, wore a rustic toga and plaid breeches—garments that nobles from her kingdom typically dressed in. From the back, he looked familiar, his thick coppery hair draped over his shoulders like a lustrous wolf pelt.
To confirm her suspicions that she knew this tall, brawny man, Catrin directed the Raven to circle around, so she could get a closer look. When the man’s ghostly, disfigured face came into view, her heart wrenched. She recognized her half-brother, Marrock.
Grotesque images of ravens pecking tissue out of his face flashed in her mind. For seven years, she had believed herself safe from him, but there he was—a specter arisen from the cold ashes of her nightmares.
Why has he returned with an army?
A sense of doom crawled all over her when Marrock’s head tilted back, as though he knew her essence was flying overhead. His blue-green eyes began glowing and changed to the same amber-gem color as her raven whenever she harnessed its magical power. The Raven’s muscles suddenly paralyzed, freezing its wings. A strong force pulled her through a crevasse in the Raven’s mind and hurtled her into a tunnel of brilliant gold light.
She plummeted, tumbling out of control, toward a black portal in the center of a rainbow-colored arch.

Biography

Linnea Tanner weaves Celtic tales of love, magic, adventure, betrayal and intrigue into historical fiction set in Ancient Rome and Britannia. Since childhood, she has passionately read about ancient civilizations and mythology which held women in higher esteem. Of particular interest are the enigmatic Celts who were reputed as fierce warriors and mystical Druids.

Depending on the time of day and season of the year, you will find her exploring and researching ancient and medieval history, mythology and archaeology to support her writing. As the author of the “Apollo’s Raven” series, she has extensively researched and traveled to sites described within each book.

A native of Colorado, Linnea attended the University of Colorado and earned both her bachelor’s and master’s degrees in chemistry. She lives in Windsor with her husband and has two children and six grandchildren.




Below are the buy links for "Apollo's Raven"
 
  

Sunday, 3 March 2013

Wot, no Vampires?

I mention that I’m writing a paranormal romance trilogy and people’s minds instinctively turn to vampires, werewolves and incubi. It’s enough to make me reach for the cross and garlic.

What many readers don’t realise is that today’s demons were yesterday’s gods, supplanted during the rise of Christianity. They were gradually demonised because the population refused to give them up.

In the Torc of Moonlight trilogy I’m writing about the resurrection of a Celtic water goddess, and not that long ago these ladies were thicker on the ground than might at first be supposed. In the UK the most prominent is Aqua Sulis, she of the golden waters of Roman Bath which are still visited by thousands of tourists every year.

Another is the spring at Walsingham, Norfolk, very much taken beneath the cloak of modern Christianity, where in 1513 Erasmus said that the waters were "efficacious in curing pains of the head and stomach." Notable to me, he also said that the shrine was surrounded by “gems, gold and silver”. A water goddess always had her hoard, from Beowulf’s mother of Grendel to King Arthur’s Lady of the Lake. After all, don’t you toss coins into pools and make a wish? So which deity is it that you think you’re invoking?

Just as with a consideration of Our Lady of Walsingham, subtexts are teased to the surface in Torc of Moonlight; not everything is as it seems.

Nick joins Alice in her quest to discover the shrine to a forgotten Celtic water goddess but Alice isn’t certain that opening her heart to him is a good idea. There have been too many coincidences in her life and none have been benign. Mesmerised by Alice, Nick is in denial - until he sees a jewelled sword fade in his hand and knows that he, or the thing that shadows him, has held it, and bloodied it, long ago. To tell Alice will make her flee him; to do nothing could kill her. Is his love strong enough to defend her against a force he doesn't understand?

As the unnamed goddess resurrects throughout the trilogy, she drags along the ghosts of previous eras. In The Bull At The Gate, Nick and Alice are in York, a city with history cramped within its mediaeval fortifications stretching back to the Roman legions, and where deep in modern cellars sacrificial victims strive for the light. 

Multi 5* Torc of Moonlight is available now as an ebook and paperback
Ebk: USA Kindle ¦ UK Kindle ¦ Nook ¦ Kobo ¦ iTunes
Pbk: Amazon USA ¦ Amazon UK ¦  B&N ¦
Bk Depository

The Bull At The Gate is scheduled for publication in late summer 2013

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This blogpost originally appeared on LindsaysRomantics