Showing posts with label Cornwall. Show all posts
Showing posts with label Cornwall. Show all posts

Monday, 16 July 2018

"The Lamorna Reach" by Joy V Sheridan. A dark historical romance. Now with 5 Star Review!

The Lamorna Reach presents a Zola-esque tableau of raw, elemental life in Cornwall at the time of the Napoleonic wars. Issy Penhalligan, the heroine, is incredibly beautiful and talented, but these qualities do not secure her a happy, comfortable life. She enters the world as a foundling, under the most brutal circumstances; she is fostered. Issy undergoes rape and abuse, and is pressurised into a prestigious but oppressive marriage. There is a saga of mutual obsession between her and the fascinating but totally dark and menacing Tobias Carmichael, who seduces but does not finally control her. There are brief glimpses of euphoria and romance. Issy is a fiercely independent spirit; true to form, she disguises herself as a man and goes on a maritime expedition. Eventually, jealousy and prejudice conspire against her. She leaves the world, but her spirit lives on.
This novel has the added bonus of multiple perspective, alternating between first and third person narration.

New! Review.



5.0 out of 5 stars Trying to Make Life and Beauty Thrive in a Difficult Time and Place

Reviewed in the United States on April 24, 2020
 Joy Sheridan is a talented poet, whose poetic voice is also on display in her historically based fictional novel, “Lamorna Reach: A Cornish Saga.” The story is is told mostly in the voice of the main character, Issy Penhalligan, a resident of a Cornish country-seaside area, Lamorna Reach.

Lamorna Reach is a region of Cornwall, at the southernmost tip of England, relatively close to France. The novel is very much bo
th a character study of Issy Penhalligan, in areas near her birthplace, and regions where she later travels. The novel also portrays the life of the everyday country people, and life in the town, very well. The time period of the novel is shortly after the French Revolution, in that general period, I would say, and conveys a vivid sense of the life of the people in that part of England. It’s a quality of life that may well have prevailed for centuries before, and well into the 19th century. The life of the common man and woman was fraught with danger. There was no reliable legal authority on which they could rely, if violence broke out, as in a tavern, or someone was kidnapped. Though there was a legal system, and lawyers maintained private practices, but this was for the middle and upper classes. The only recourse for people in distress, was to turn to their own relatives or friends. 

Women, especially if they were young and attractive, like Issy, were perhaps most at risk of attack, of one kind or another. The novel also conveys a vivid sense of town life. Through the eyes of one of Issy’s brothers, and sometimes, in his voice, we get a sense of the life of the seaman, of that day.

I loved Issy Penhalligan, as a character, with her beautiful hair, and wonderful blue-green eyes, but who seemed cursed by her beauty, for it created many difficult choices, and consequences for her. Her life, and that of the local people, was not unlike the unpredictable violence of the weather, and the ever-present threat to life offered by the implacable Lamorna Reach, with its fearsome jaw-like coutours. But Issy’s beauty also afforded the author an opportunity to write descriptions such as this:

“…The moon’s glow placed a silvery sheen to her head, so that there came a pearly glow to her cheekbones, and alongside her nose. Dappled, subdued, rose-tinted fires seemed to haze about her hair, as though pearls and rubies had been woven into it. .The vision all but made Tom gasp aloud, for he considered she was too beautiful to be mere mortal in that light…."

The novel writes poignantly on aspects of the local history and culture, with nothing held back. For instance, storms afforded residents the unique opportunity to find and keep spoils from an unexpected source. “… the white foam was tinged with the blood of clubbed swimmers, trying to ground themselves to supposed safety … the villagers mute in their returning, as though some solemn ritual had been observed and attended to, and they were now deep in some other world. Both awed and proud, but cunning enough to keep their returning passages quiet and unobtrusive. After all, murder and looting had taken place. There were sly, strangely happy smiles on the most usually stoniest faces. No preacher could raise such novitiate devotions....”

The author presents a very elaborate description of an aristocratic ball, in Cornwall, which also convey a real sense of life in the region of the time.

“The air was redolent with perfume of roses, lilies, musk, perspiration. The ladies were gorgeously attired, like night butterflies, gaudy moths, attracted by the tantalizing glimmer of jewelled candle-light, and waxy millions which stood, like so many lonely old men, at the side-lines waiting for a smile, a whisper, a flutter of fan or eyelashes. The gentlemen at this agrarian court were no less dapper than their feminine counterparts. The hair contained in the wigs donned by these eclectic country gentry, would have clothed Samson, several times over. It was hot and stuffy in the massive room, no windows having been opened, for fear that the gale might come whipping in, to abscond with the revellers’ finery – or their hair-pieces, at the least. Feathers nodded, and gems sparkled, scarlet satins were fast on more than nodding terms with burgundy and nightshade brocade. Manicured hands were flaunted like lost doves, once the pale shadows of kid gloves were removed.

I invite readers to lose themselves in the story of Issy Penhalligan’s unfolding adventures, and the panorama of the life of the people, shore-side and sea-side of the people of early 19th Century England and continental Europe. Issy will remain with me, as a long-time acquaintance, and I recommend that you let her adventures seep into the life of your mind too, in this novel, The Lamorna Reach: A Cornish Saga" by Joy V. Sheridan.

Paul Dolinsky






https://www.amazon.co.uk/Lamorna-Reach-Cornish-Saga-ebook/dp/B079T4QYGB


From The Lamorna Reach
(I can only compare the two of us to be some kind of immortal duellists, twinned in love and in hatred, with a thread running betwixt us that neither man, God, time nor space could alter.)
Tobias came towards me, his face light and shadowed; only his eyes were fixed, hard as serpents, or like stars in some mysterious galaxy – to my face. His hands were very steady as they reached out towards me. I noticed how pale he looked. Those hands – they seemed like birds winging their way all up and down me, fluttering. He made them seem to pass over me, moving from my shoulders to the tip of my head, then swooping them down to my ankles. I thought ’twas all most odd, but I was fascinated by his every movement: indeed, I got a rare measure of delight from this eccentric behaviour. Then, seeming satisfied, he moved away and sat in a chair. He looked down once, then up and straight into my face; he spoke clearly and slowly.
“Undress for me Issy, undress.”
I suppose he guessed my nervousness, or thought I needed more brandy. I know there was a sheen of sweat about my brow. I began to tremble very mildly. He handed me a glass of brandy, nodded at me solemnly as though he were some lawyer or judge. I drank a hefty amount, rather too quickly. I coughed as the flames of that molten potion burned my throat. He continued staring at me, sitting in the chair bolt upright, with his fingers stretched out along the arms. He moved one hand so that it supported his chin, his head being thrown slightly to one side. He moved his head again, his lips forming the unspoken command “U N D R E S S”.
I began to obey his wishes; the brandy had given life to my fingertips, which had suddenly numbed on me, from fear or chill. I began to ease the buttons undone from the side fastening of my blouse; then I shook my head – watching his reactions – trying, I dare say, to adopt his almost insolent attitude. I began to ease the garment over my head The underclothing I had was delicate but worn thin in places. My stitching, never first class, would – I was sure – give him the clue to my impoverished state. I had to pretend to be strong, so almost involuntarily I tightened the muscles in my chest, so that my breasts poked out, springy and firm.
He moved from the chair and began, very quickly, to undo his own garments – throwing off the jacket in a trice, then the waistcoat. With speeding fingers he had the breeches unbuttoned, till he was left wearing only his flannel undershirt. I could see his passion throbbing like a small ghost under the edge of the garment. But (and in imitation of him) I pushed the flattened palm of my upraised right hand at him. I was not ready yet and – if this was the game he contrived to play, then I could play it (I thought) as well as he.
Slowly I began to undo the fastening to my skirt, holding the blouse before my breasts. I let the garment flutter to the ground, then applied both hands to the skirt. I made sure to adopt some mightily provocative poses, for I had to occupy my time somehow at Whitehays and I was really quite a performer in this area. I shook my breasts towards him – the nipples hard and pointed. Sensuality was most assuredly in the air, so that the invisible musk of what was inevitable, seemed to be spicing the atmosphere. My hair was down and tumbling about my shoulders; it tickled a little and I suppressed the urge to laugh. It was a game in deadly earnest after all!
There was hunger in Tobias Carmichael’s face now. Again, I stopped him from moving in on me. I ran my fingers over my Mount of Venus, moving to a sideways position and pressing the fabric taut upon myself, so that he could see the better what was his principle design for conquest. Then – off with the skirt; the petticoat wriggled down to my hips, bending from the knees to pull at the waist, which was snagging over my heel, till at length I stood bolt upright before him, stark naked.
I recall saying to him that this was, on my part, planned adultery and on his seduction and ravishment – if not out-and-out stealing. He all but threw himself at me, but I was determined to play the game well and squirmed from his grasp – meanwhile giggling and attempting to hoist the shirt off of him. He got my drift and it was removed in a flash. The air was pressingly over-charged with our mutual longings – and in a pant, with an almighty gasp, he was in me – his tool actually seeming to hurt as though I were that same virgin girl he had taken three years before.
I began to relax, enjoying the sensations as they swept over me; I had all but forgotten what it was like to feel a man’s hardest and most intimate part moving within me. He was groaning and sighing, his lips devouring mine. I could feel the crescendo building up in his phallus, which was now so hard and big, that I wondered how I could take it. I stopped moving, for I wanted to prolong the ecstasy. He grasped my unspoken meaning and we lay still for a few minutes – both our loins throbbing, veins of pleasure sweeping about us, so that it seemed we were mutually bound by some exquisite electricity. I began to rise to a crescendo; our juices were flowing now and I could detect that rooting smell as it pervaded the air about us. He began to sense my moment – faster, faster – our antics were surely singeing the sheets. Then the ultimate: our outburst of joy was mutually matched. We lay quiet, sated to our first point – for that moment exhausted.
So the night continued, and ’twas as though the ardour increased with the coming dawn. Not that we hadn’t taken time to sup and drink, and to see that my poor little puppy had his eats. We left the inn, but I cannot truthfully say if what had passed between us had proved to quieten our mutual selves. Tobias rode with me to the outskirts of the estate. We barely communicated for the greater part, though I urged Carmichael to pick up Happy and let him ride on the steed in some fashion, for the poor little creature was all but beat. Carmichael pulled me down from my mount as we were nearing the entrance to the estate. His lips were all tenderness, his hands weaving delicate patterns about my cheeks and hair.
“Issy,” he murmured, “to the Gods: I believe it was not a ghost we’ve laid at all, but we have to raise a multitude of unearthly beings.” There was despair in his voice. I was mute: what could I say? Feelings of guilt and remorse were washing over me now that I was back on home terrain. He pushed me gently from him, surveying me; then he was down on one knee, looking up at me beseechingly. I gestured him up with an impatient wave; I felt foolish to be so approached.
Then I was all ruthlessness and was back upon Soda, flying up the drive towards Whitehays. I did not cast a glance to where Tobias stood. Panic – and a wild, exultant abandon were mixing in me like some illicit concoction, mixing perhaps like grape and grain.
I determined to leave Whitehays. I would find Morgan. Or Tom. Or anyone. Or no-one. For I could not let Carmichael have the possession over my being – as he had done three years earlier – and indeed had all but succeeded in doing once more, in the past ten or fifteen hours.

Sunday, 23 June 2013

Cornish Mysteries




All three of my Cornish Mysteries came out in UK editions this week, so I'm going to do a brief excerpt from each.

They're set in Cornwall, in a fictional fishing village called Port Mabyn, which is a cross between Port Isaac (think Doc Martin) and Boscastle, and situated
 on the North Coast between those two towns. Eleanor Trewynn, after working all her life for an international charity all over the world, retires as a widow to a Cornish village. She buys a cottage and sets up a charity shop on the ground floor.




 The first is MANNA FROM HADES.


Looking forward to a peaceful retirement, Eleanor's horrified to find in the stockroom behind the shop, the body of a scruffy, unknown youth. Is he somehow connected to a mysterious donation of a briefcase full of jewelry?





Chapter 9
The sun had cleared the hills surrounding Port Mabyn and shone through spotless windows into the vicarage kitchen. Eleanor and the Stearns were just finishing breakfast when the door-bell rang, at eight o'clock on the dot.
"I'll get it," said Eleanor, putting down her coffee mug, blue and white striped Cornish pottery like the rest of the breakfast service. So like dear Joce to have a matching set, though she'd had to collect it piece by piece from the LonStar shop. "It'll be whoever Inspector Scumble sent—I do hope it's Megan."
Megan it was. She followed Eleanor into the kitchen.
The Vicar unfolded. "Good morning, my dear young lady. You want to talk to Jocelyn and Eleanor, I know, so I'll make myself scarce."
"No, please stay a moment, sir. I've got a photo of the victim I'm showing everyone. We still don't know who he was."
"Is it...is it very unpleasant?"
"No, no, they cleaned him up. Here."
He took it between thumb and forefinger and peered at it. "No," he said, with obvious relief. "Never seen him in my life. Here, Jocelyn, what about you?" He handed the photo to his wife and sidled out of the room.
Eleanor looked over Jocelyn's shoulder. The thin face was young, but not too young to be badly in need of a shave. The dark, fuzzy stubble softened but didn't conceal a bruise on the right side of his jawbone, an inch or two up from the point of his chin. The long hair had been combed but still gave an impression of uncleanness.
"No, I've never seen him before," said Jocelyn, handing the photo to Eleanor. "Do sit down, Megan. Coffee?"
However hard Eleanor tried to be charitable, tried to make allowances for the changes wrought by death, she thought the youth looked shifty, even unsavoury. Was it just because he had been found in unsavoury circumstances in the room below her flat? If his eyes were open, his expression full of life, would she feel different about him?
"Do you recognise him, Aunt Nell?"
"No, dear, I'm afraid not. I can't help wondering about his parents. Not knowing what's become of him, I mean."
"Sometimes ignorance is bliss," said Jocelyn. "I expect you'll identify him soon or later, won't you, Megan? That's when his family will need sympathy."
"We're pretty well bound to find out sooner or later, one way or another. Then we'll start tracking down his associates." Megan put the photo in an envelope and stuck it in her pocket. "It's still a mystery what he was doing in the LonStar premises in the first place. Aunt Nell, the DI said there's something you were going to tell him last night?"
Jocelyn stood up. "Well, I'll just leave you two to it—"
Eleanor caught her arm. "Don't desert me, Joce."
"I never saw them, after all. And it's Megan you're facing, not that man."
"Them?" asked Megan. "What's going on?"
"It's nothing but hearsay as far as I'm concerned," said Jocelyn firmly. "Leave the washing-up. I'll do it later." She hurried out.
"Aunt Nell?"
"I tried to tell him last night."
"But?"
"But I should have told him sooner. He'll never believe I just kept forgetting."
"He'll believe it," Megan said with absolute conviction. "Come on, let's do the washing-up while you tell me. You wash and I'll dry, in case I have to write anything down."
"You will," said Eleanor gloomily. "I don't know what it all means, but I can't believe it has nothing to do with the murder." She started running hot water into the sink, adding a good squirt of Sqezy, the Washing-up Wizard. "That would be just too much coincidence to swallow."
"For pity's sake, Aunt Nell, spit it out!"
"What a very ungenteel expression! All right, all right, I'll 'spit it out.' It wasn't until I got back to the shop that I found it." She handed over a cup to be dried. "When I started unloading the Incorruptible, there it was, and I simply had no idea who had given it to me."
"It? You were talking about 'them'."
"The container and the thing contained," said Eleanor, with vague memories of English lessons and Nick's earlier remark. "Things, rather. The briefcase I mean, dear, or perhaps attaché-case is the correct term. It's one of those thingummies businessmen carry, but not the flat, soft-sided kind, more like a small suitcase, if you see what I mean. But thin, a couple of inches I'd say." She gestured to show the overall dimensions—perhaps two feet by eighteen inches—and soapsuds flew. "Quite heavy for its size."
"I get the picture."
"I took it back to the stockroom and opened it. Megan, it was full of jewelry!"
"Jewelry!" Megan nearly dropped the saucer she was drying. "You're not serious!"
"Absolutely, dear. It must be paste, of course, or whatever artificial gems are made of these days, but still quite valuable, and so very generous of someone. But such a trouble! We aren't allowed to accept that sort of thing without proof of ownership and all sorts of paperwork. Joce always deals with it so I'm not sure exactly what's needed. And it had appeared out of thin air without even a name to go with it."
"So you tucked it away in a corner of the stockroom and forgot about it?" Detective Sergeant Pencarrow asked in incredulous horror.
"Of course not. Do give me credit for a modicum of common sense!" Eleanor said quite crossly. "I took it upstairs and locked it in the safe."
"In your flat? There's a safe in your flat?"
"I had it built in when I bought the place and remodelled it. These old cottages have pretty thick walls, you know. Joce thought it would be a good idea, safer than in the shop. We've both been very careful never to tell a soul about it. I expect that's why I forgot to mention it to the inspector, besides being sure he'd find it, used to searching places as he must be. Only it seems he didn't, or he'd have asked me to open it, wouldn't he?"
"Undoubtedly."
"And I'm afraid he'll be rather annoyed, with me for not telling him, and with himself for not finding it... So, you see, I'm very glad it's you who came this morning and I've been able to tell you, instead of him." She handed over the last plate and started to scrub the frying pan.
Automatically drying the plate, Megan said, "You're going to have to tell him, too. This is going to change everything. It's the first hint we've had of a significant motive for the break-in! He won't be satisfied with hearing it from me, you know. Besides, he's going to have a lot of questions. There's no point me asking them. You'd only have to repeat the answers. I'd better go and ring him right away."
"If you must, dear," said Eleanor with a sigh.


               


The second in the series is A COLOURFUL DEATH.
  On returning from a train trip to London, Eleanor's artist friend and neighbor, Nick Gresham, discovers that someone has slashed several of his paintings in his Port Mabyn shop. Rather than go to the police, a furious Nick sets out to confront rival artist Geoffrey Monmouth, who Nick is sure is the culprit. 
Accompanied by an anxious Eleanor, Nick finds Geoff stabbed to death in his Padstow bungalow. When the authorities detain Nick, Eleanor determines to track down the real killer.
 

Excerpt: 
Once ashore,    they walked along the North Quay and crossed into the network of narrow streets behind the harbour.
"There it is." Nick pointed to a narrow shop front opposite the Gold Bezant Inn.
It took Eleanor a moment to decipher the sign above the shop window, as it was written in Old English script.  King Arthur's Gallery, it said.
"King Arthur? Shouldn't that be in Tintagel?"
"He couldn't find a suitable place in Tintagel, but he's obsessed with King Arthur. Come and look."
In the window was a display of three paintings. At first glance, they seemed to Eleanor to be quite pretty but rather depressing. She could understand why holiday-makers didn't choose to buy pictures of slender mediaeval maidens with flowing hair and tragic mouths drooping over dead or dying knights, however meticulously portrayed. She wouldn't want one on her wall, breathing gloom every time she looked at it. They were flamboyantly signed: Geoffroie Monmouth.
But she didn't have time to study them. Nick had pressed the electric bell button. No one came. Heedless of the CLOSED sign, he pushed the door. Opening, it set off a jangle, just like his own shop door. The fact that it was not locked suggested to Eleanor that the artist was still within, probably in the throes of producing another grim mememto mori.  She tied Teazle's string to an ancient, worn boot-scraper to one side of the door and hurried after Nick.
The blind at the rear of the display window was pulled down, so the interior of the shop was dim. ...
The jangle failed to bring any response. Nick looked around. "Damn," he swore under his breath. "If he's not in the back room, I'll have to trek up to his bungalow."
"Not a bungalow, surely! He ought to live in an ancient cottage overgrown with rambling roses, if he can't manage a crumbling castle."
"A 1950s bungalow," Nick said firmly, striding round behind King Arthur. "And any interest he has in flowers he devotes to his painting, not his garden."
Reluctantly Eleanor followed. He flung open a door in the back wall and stepped through into a room lit by a window facing north, high in the far wall.
"Ye gods! Eleanor, don't come in!"
But Eleanor was already on the threshold. She saw a figure sprawled face down on the bare boards. His beige smock was drenched with crimson, and a crimson pool had spread across the floor around him.
Someone pushed past her and cried in an anguished voice, "My God, Nick, what have you done? You've stabbed him!"


The third Cornish Mystery is THE VALLEY OF THE SHADOW




 Eleanor, her artist neighbour Nick, and her niece DS Megan Pencarrow are strolling along a pretty, peaceful valley when they spot a body floating in the inlet. While Eleanor goes for help, Megan and Nick pull out a young Indian man, barely alive. How did he come to be drowning in this isolated spot? Is his family really stranded in a smugglers' cave somewhere on the rocky coast?





















 Excerpt

 They walked on until the path petered out into terraces and steps of slate. The abrupt edge was two or three feet above the smooth tops of the swells that surged onward to meet the stream in swirls of foam. Clumps of thrift, the flowerheads brown now, clung in crevices here and there. A grey and white herring gull launched itself into the air and joined its fellows circling overhead, their raucous screams cutting through the constant yet ever-changing sounds of moving water. High above floated a buzzard.
"Gorgeous," said Megan.
"Good enough." Nick fiddled with his camera's settings, peered through, and fiddled some more.
Megan jumped down a slate step. Eleanor sat on it, the sun warm on her back.
"What's that?" Nick lowered the camera and pointed.
Eleanor peered, wishing she had brought binoculars. Something dark bobbed in the water. "A seal?"
"No." Megan's voice rang harsh. "It's a man. And if he's not already dead, he soon will be."

Reviews:
http://murderousmusings.blogspot.com/2013/06/cornish-mysteries-now-in-uk.html

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Wednesday, 5 June 2013

Smugglers' Summer--great summer reading!

***** on Amazon

Featured on 
http://storyfinds.com//book/2941/smugglers-summer


Octavia Gray's radical parents give little attention to their eighth child. Her best friend Julia's parents are all too keen to see her wed a wealthy and respectable gentleman. So when Julia falls for a wild-haired radical acquaintance of Octavia and is whisked away to an isolated 15th century fortified manor in Cornwall, she begs Octavia to come and keep her company.

Then the fun begins, as both Julia's suitors turn up, along with a dashing smuggler and a horde of Revenue officers out to catch him--or anyone who lands in their net...


  Excerpt:

 

Chapter 4


Beyond the shadow of the quay the moon shone bright on Plymouth Sound, silvering the ripples and whitening the swirling wake as the sailing barge took the breeze. The Barbican, the Citadel, and the Hoe loomed as dark masses and the opposite shore of the estuary was a black line between sea and sky.

Seated on a neat coil of rope, Octavia leaned back against her trunk and wondered if she was dreaming. The creak of the wheel, manned by the silhouette of Captain Pilway; the slap of bare feet on wood as Joey and Tom moved to adjust the square sails; the rush of water against the hull: all these were as foreign to her as the salty tang of the air blowing in her face.

Warrum enow, miss?” queried Tom, materialising beside her.

She pulled her cloak closer about her and nodded; then, not sure if he had seen, said, “Yes, thank you. How long will it take to Cotehele?”

Ah,” he said, and slipped away again like a shadow.

To judge by the gleaming path of the setting moon, they were headed south of west. Octavia thought back to her geography lessons. Surely the Tamar flowed into the Channel from the north? For a moment she was alarmed: had she fallen among white slavers, or ruffians of some other ilk? But Lieutenant Cardin would not have handed her over so calmly had he anticipated danger, and Captain Pilway had been perfectly polite.

There must be all sorts of navigational hazards to be avoided, she realised with relief. The island they were passing on their right, for instance, was probably surrounded by rocky reefs. The Eddystone Lighthouse was somewhere near Plymouth, she thought, and the coast of Cornwall was noted for shipwrecks.

As they rounded the island, she saw a larger ship rocking on the water a few hundred feet off, its single mast bare. The barge approached it, slowing as the sails were furled. A dinghy put off from the stern of the sloop.

Ahoy there, River Queen!” came a low hail.

Ahoy, Seamew!” Captain Pilway called back, his deep voice hushed.

The dinghy drew alongside, the rowers shipping their oars; a giant of a man stood up in it and gripped the rail of the barge. Captain Pilway went to him and they held a whispered consultation. Octavia thought he turned his face in her direction for a moment, but in the moonlight she could be sure of nothing.

The giant said something to his men, passed up several small packages to the captain, and then heaved himself aboard. He dwarfed Captain Pilway, himself by no means a small man. The two retired to the stern to talk, while the rowers lifted several barrels over the side into the barge. Joey and Tom rolled them aft, and Joey started lashing them together with rope.

Right, boys!” called the big man. The dinghy cast off and headed back towards the sloop.

Sails raised, the River Queen turned north.

The new passenger made his way forward and stopped beside Octavia. Squatting down so that his face was nearer her level, he saluted her.

How do you do, ma’am,” he said in an educated voice, removing his cap and running his fingers through his thick hair. “Captain Day’s the name, Red Jack Day. You’re bound for Cotehele, I hear.”

Yes,” stammered Octavia. “I—I am going to stay there with friends.”

I’m heading that way myself. You’re no Edgcumbe, though, are you?”

No. My friends are related to the Edgcumbes. Are—are you a smuggler, sir?”

Best not ask, little lady,” he said grinning, his teeth white in the moonlight. “Those who don’t know, can’t tell. You’ve seen some interesting goings-on tonight, eh?” His tone was friendly, not in the least threatening.

Are you not afraid I shall tell someone?” Octavia ventured.

There’s nothing the Revenuers can do unless they catch us with the goods and by the time you found someone to tell, those’ll be long gone. Suspicions don’t hurt us; there’s not a captain nor a ship doesn’t run goods now and then. Were you planning on turning us in?”

No, I suppose not. My father says the duty and excise tax laws make very little sense.”

Then your father is a sensible man. You’re not from these parts?”

No, from London.”

Ah.” He settled back more comfortably on his haunches, swaying slightly with the roll of the boat. “Then allow me to point out the sights. Sun’ll be up soon."

The eastern sky paled over Plymouth even as the moon set behind rolling hills in the west. On the slope overlooking the Sound stood a mansion, barely visible in the near darkness. That was Mount Edgcumbe, said Red Jack Day, seat of the second Earl of Mount Edgcumbe and home of the Edgcumbe family since the house was completed in 1553. There was an odd pride in his voice, as if he shared in the reflected dignity of the ancient line.

On the other side was St Nicholas’s Island, sometimes known as Drake’s Island. As they cleared it and the light grew, Octavia saw a bewildering swarm of shipping, from dinghies to men-o’-war, sailing in various directions or anchored in the maze of inlets which led off the sound. Red Jack pointed to a particularly busy area: Devonport, the Royal Navy docks.

Somehow Captain Pilway chose among the various wa­terways, and soon the river narrowed. There were low hills on either side, a patchwork of fields and woods, with occasional villages and quays. The sun rose in a sky streaked with pink and crimson clouds, turning the water the colour of blood. They passed Spanish Steps, then the river divided again and narrowed still further.

Steep, wooded cliffs alternated with wide beds of reeds, yellow tipped with green, as they followed the twisting Tamar upstream, the rising tide fighting and overcoming the opposing current.

Nothing much to see till we reach Halton Quay,” grunted Captain Day. He rose to his feet and stretched. His hair caught the sun’s low rays and Octavia saw that it was flame-red, fading to straw at the temples. “I’ll try for a couple of hours of sleep before we arrive."

Warm in the sun, Octavia drowsed.

She was roused by a shout. There was a tiny chapel on the left bank, a few cottages, and some extraordinary stone structures, square and solid-looking, with huge half arches at the base.
Tom was pointing at a washing line hung with clothes. It looked quite unremarkable except, perhaps, for a scarlet petticoat at one end.

Red Jack yawned, rubbed his eyes, and sat up. He made his way forward and sat down beside Octavia.

Halton Quay,” he said. “That spectacular garment is a sign. According to whereabouts on the line it hangs, it even tells who is watching and where. That’s a Riding Officer, I believe, at Cotehele Quay. I don’t work this way myself, so I’m not certain of the code."

A Riding Officer?” she asked.

That is what the Customs call their inland excisemen.”
 
So the petticoat is a warning! What are those extraordinary arches?”

Limekilns. We’re carrying limestone now, in the hold there.” In the well amidships huge baskets of broken rock were neatly stacked. “Throw limestone and coal in the kiln, fire it, and out comes quicklime. It’s used as a fertiliser. Excuse me, ma’am, I’d best go lend a hand.”

The crew of the River Queen had pulled a pile of sails off the mysterious barrels from the Seamew. With Red Jack’s assistance, they slung them from the bulwarks then, at a sign from Captain Pilway, pulled on a couple of knots and let the whole string of a dozen or more slide into the river.

Brandy, thought Octavia. They must be sorry to lose so much.

Captain Day returned to her side, grinning.

They’ll pull ‘em up with grapples some day when the red flag’s not flying,” he explained. “The rest of the stuff’s small enough to hide where no Riding Officer will find it. But I’ve a little something here for a pretty young lady, if you’ve somewhere about yourself to conceal it.”

She blushed as he handed her a small, flat package, wrapped in oilcloth.

There is an inside pocket in my cloak,” she said. “Will that do?”

Aye, they’ll not search a guest of the Edgcumbes. Another bend or two of this confounded snaky river and we’ll be there. Give me the open sea any day.”

He lent her a huge paw as she struggled to stand. Stiff from her awkward position, she still ached in every joint after four jolting days on the stage. She stowed the package in her pocket, and felt for the comb she kept there.

It was gone. It had probably fallen out when Captain Pilway had lifted her aboard, but at least her heavy purse was still there. Tiredly she pushed a few loose curls behind her ears. She would not have been able to do much without a mirror anyway.
 
Red Jack was standing in the bow, gazing upstream. She picked her way forward to join him. They were passing a tributary stream on the left, half hidden in reeds. Beyond it, dead ahead as the river curved right, was a flat stretch of bank with three stone quays and a number of buildings, including more huge limekilns with smoke rising from their tops.

Cotehele!” announced the smuggler with satisfaction as the barge swung wide to head directly into the small dock. “Will there be someone to meet you, miss?”

‘‘No. They have no idea when to expect me."

It’s not far up to the house but it’s a steep walk. If you care to wait below I can send someone to fetch you.”

If you are walking up to the house, I shall go with you. It will be good to stretch my legs. Will you think me impertinent if I ask what business a smuggler has at Cotehele?
Red Jack flushed. “I’m courting the housekeeper,” he muttered, suddenly shy. “Ever since she was parlour maid at Mount Edgcumbe. She won’t have me till I change my profession and I won’t quit free-trading till I’ve a fortune to support her with. It’s been a long time, but it won’t be much longer.”

I beg your pardon, I was impertinent!” cried Octavia penitently. “It was none of my business."

The whole world knows,” he said wryly. “Well, here we are. Let me help you ashore.”

Several men had appeared from one of the buildings, an inn bearing the sign of the Edgcumbe Arms. There was much shouting and bustle as the River Queen was tied up and they prepared to unload with the aid of a hand winch on board and a derrick on the quay.

Suddenly a tall, thin, elderly man in uniform pushed through the crowd, followed by a pair of beefy troopers.

In the King’s name!” he shouted in a high, rather squeaky voice. “Every basket is to be inspected as it comes ashore. Slowly, now.”

I’ve a cargo of fruit on the Lower Quay that’s waited for in Plymouth,” said Captain Pilway angrily. “Ye may inspect what ye please when ‘tis all off my ship.”

They stood face to face, arguing loudly. Red Jack quietly directed a couple of men to carry off Octavia’s trunk, and swung her lightly over the side, following her onto the quay.
The Riding Officer,” he explained. “he’ll have a hard time inspecting tons of limestone. We’ll be off.”

He waved to the men with the trunk to come after them, and they edged round the jeering crowd. They were a few feet beyond it when the Riding Officer noticed them.

Halt, in the King’s name!” he cried. “I know you, Red Jack Day, and I’ll see the contents of that trunk, if you please.
The men parted to let him through and he came strutting forward to face Octavia. She drew herself up, her chin raised.

The trunk is mine,” she said icily. “I am Miss Octavia Gray, a guest of the Earl of Mount Edgcumbe.”

He looked somewhat disconcerted, but a glance at her appearance revived his officiousness. “You expect me to believe that?” he said with scorn. “Unlock the chest at once!”

You may apply to his lordship for my credentials.” Octavia quaked inside. “I do not think my lord will be best pleased if you strew my undergarments about in public. Come, Captain Day.”

The crowd roared with laughter as she stalked off, Red Jack at her heels. The two men picked up the trunk and followed, leaving the Riding Officer purple-faced and gaping like a fish.

Well done, ma’am,” said Red Jack. “You could not have carried that off more coolly had the box actually been filled with contraband.”

Do you know,” confessed Octavia, “for the moment I was quite convinced that it was!”

They passed a grey stone lodge and started up the hill. Long before they reached the top Octavia was glad to lean on the captain’s arm. She walked in a blur of fatigue, unable to appreciate her surroundings in the least, aware only of the effort to be made to put one foot in front of the next again and again and again.

The ground levelled off at last, and Octavia revived enough to notice a horseman coming towards them.

Jack Day!” the rider hailed her companion from a little distance, in a vaguely familiar voice. “Come to visit the fair Martha, are you? Who is this you have brought with you?”

It’s Miss Gray, sir. She’s a guest here. I ought to have left her below though, to wait for the carriage. The poor lass is worn to the bone, I fear me."

Miss Gray? Good God, so it is! You look fagged to death, ma’am, and in no fit state to walk farther. Jack, raise her up to me and I’ll carry her in.”

Too tired to protest, Octavia allowed herself to be lifted into Sir Tristram Deanbridge’s arms and sank back against his shoulder.