Showing posts with label ancient Ireland romance. Show all posts
Showing posts with label ancient Ireland romance. Show all posts

Wednesday, 3 April 2013

St. Patrick's Paschal Fires

Easter Sunday. . .  The Pagan World is on Fire!

Erin O’Quinn’s historical romance THE WAKENING FIRE takes its central theme not just from the erotic fire between its main characters, but from the fires of Christianity lit by then-Father Patrick in Ireland.
The most important–and most dangerous–Easter in centuries took place the first week in May, AD 433. That was the date agreed on by most historians when St. Patrick, then Bishop Patrick of Armagh, lit his huge conflagration on the Hill of Sláine. 
Only moments later, apparently, the fires of Beltane sprang into the night sky to rival Patrick’s, lit by the druids of High King Leary himself on the sacred Hill of Tara 10 miles away.
Why were the fires so important both to the pagans and to Patrick? Why would this particular date from the long ministry of Patrick be remembered 1500 years later?
To begin with, as most people know, the Festival of Beltane was one of  the two most important observances in the Celtic year. It signified a time of rebirth, the eternal renewal of life. The other–equal and opposite–was Samhain, six months later, the symbolic end of the year, of the death of what once lived. The birth/death cycle figures as part of probably all religions, no matter where in the world, wherever signs of spring and winter give mankind alternate hope and despair.
Bel, the Celtic sun god.
Beltane belonged to Bel, the Sun, and figuratively the Sun of God. Patrick knew that well, and he knew all the subtleties of the religion of the pagan Gaels . . . His own fire would be lit instead to glorify not the Sun of a god, but the Son of God.
Patrick had arrived in Ireland probably the previous year, consecrated Bishop and sent by the Pontiff himself to spread the word of Christ. Patrick apparently wasted no time at all inserting himself in the volatile politics of the day. He had been a slave some twenty years earlier and knew both Gaelic and the druidic rituals. In fact, his master had been a High Druid.
So it is probable that Patrick planned the Easter fires several months in advance of Beltane. The fires themselves were made of huge piles of detritus–chunks of peat, old cow hides and pieces of horn and hooves, human waste–all the stuff that we in this modern world call “garbage.” Anything that would burst into flame was set into huge piles, all over Éire (Ireland). There are theories that this ritual burning was for centuries not just a religious observance but originally a natural way of clearing the country of possible disease.
For Patrick, Christ was not a sun god, but THE son of God.
And so Patrick must have directed the building of a huge fire a mere ten miles away from the sacred hill of High Kings, the very Tara where kings and sons of kings had ruled Ireland for countless centuries. A fire set so close would be seen, and no doubt reviled, by the King who forbade any fire be set at the same time as his own.
Patrick was, in a word, stubborn. He must have known that only a huge conflagration would be seen and become legend in this land of Kings and Druids. And so he planned for months. And before the fires of High King Leary could be lit, Patrick gave the signal to light his own.
And all, er, heck broke loose.

Here is the scene, as captured by Erin O’Quinn in my second novel The Wakening Fire. Note that Patrick had been a friend and mentor to Caylith since she was a sixteen-year-old girl, back in her small town church in Britannia, told in another novel.
Liam turned to me . . . “Cat, me father will direct the lighting of the fire. Come outside.”
We left the mead hall hand in hand before the others had completed their dinner and before the king stood, the signal for everyone to follow. “Take you to see . . . fire of Beltane,” he said. We walked in the approaching twilight around the twin hills of Tara, opposite to where the mead hall stood on a low rise.
“I remember this spot,” I told Liam. “This is where the king pronounced his judgment. Yes, there is the Lia Fáil, the stone of destiny.”
“Tall fire to be lit…there.” He directed my gaze to the horizon where I knew stood the white earthenwork structure I had seen last September. Torin had called it Sí an Bhrú, and I knew it was almost as ancient the hills themselves.
“Important,” said Liam. “Older than druids. Me father…stand here, by the stone, the Lia Fáil. His signal starts the fire.”
“Let us be sure to stand close to him, Liam. I know he will be angry. You and Torin must stand ready to respond.”
He put his arm around my shoulder and brought me close against his body. “Not worry, Cat. Torin comes. I see Father, and a crowd. We…almost ready.”
The sun had not yet set, but I saw that we were only minutes away from seeing its shining orb disappear under the far hills. Leary stood with a score of white-robed, bearded priests—his latest collection of druids. Torin and Swallow joined us. “When the druids drop their hands,” Torin said, “Father will take his cue. He in turn will signal, and his order will be carried along the entire distance, passed along to those tending the fire.”
  I saw that not only those from the mead hall, but thousands of people had already converged on Tara’s twin hills and spread over the surrounding area. Unusually for such a large crowd, there was absolute silence. It was as though everyone awaited the druids’ signal, and Leary’s royal command.
The druids, dancing around the Lia Fáil, had their hands raised to the setting sun. But before their hands dropped to their sides, a loud shout escaped Leary’s mouth, and I looked where he looked. I saw a blaze not on the site pointed out by Liam, but beyond, on the distant hill of Sláine, ten miles away. It seemed to light the entire sky, and I began to tremble.
Just then, the druids dropped their hands, and Leary shouted again. This time, after the space of a score of heartbeats, another huge blaze tore at the evening sky. This was the king’s fire. It was, in a sense, the rival fire, the adversary of Christ.
Was it bigger, and better, than Patrick’s? Who in the world would know? I knew only that the king was wild with rage. I pulled at Liam’s hand, and we ran to where the king stood with his small army of druids.
I heard a brief exchange among them, and I turned to Torin, who stood at my other side. “Tell me,” I implored him.
Torin’s eyes were clouded. “Father asked who would so dare defy the law. His druids spoke as one. ‘The priest called Patrick. And unless ye stop him now, the fire ye see before ye will never be quenched.’ And then Father called for his immediate arrest. He is to be brought here shortly.”
I bowed my head, and the sobs began deep in my stomach and rose to my throat, stopping my words and my very breath. The last thought I remembered was, “O God, bless Patrick.” And then my world went dark.
The Lia Fail, close to where high king leary lit his own ritual fires.

This book is available from Amazon and from the publisher, Siren Bookstrand:

Wednesday, 15 August 2012

Two people crash and clash, desire and despise...when his fire meets her silk.  
Fire & Silk is the story of a gruff, red-headed bachelor named Flann, son of an Irish king, and a fiery Iberian virgin named Mariana.
In this excerpt, Flann commits an act that will bind him to a naive yet headstrong woman, as she seeks his protective cover during a furious rainstorm.


The slight shift in wind told Flann that the rain would begin in a matter of minutes. He eyed the corner of the tarred cloth as he continued to play his bone whistle—more to confound and anger the woman than to extend the improvised melody. When he felt the first fine spray of rain on his face, he seized the corner of waterproof cloth nearest him and, in one sweeping motion, wrapped it around himself. Then he lay waiting for the real rain to fall.
He saw by the dancing fingers of fire that the woman was defenseless against the cold night—not a shawl, not a cloak or brat or any kind of wrap that might have kept her warm or dry. And yet she merely stepped closer to the fire, as though defying the heavens. Except for her last commanding words, she had apparently decided to stand there, soaked to the very bone, even after the rain had drowned his fire, cursing him and his peasant attitude.
Good! Tá go maith. Let her feel the cold arms of night and the loveless kiss of an autumn thunderstorm. He wrapped the cover tighter and pulled it over his head just as the rain began in earnest. From under the cloth, he clearly heard her anguished cry. “Oh, help me! ¡Ayúdame! Do something!”
Flann felt himself grinning in spite of his resolve to ignore her. He lifted the cloth and opened it wide like an eagle’s wing, inviting her inside. 
The woman, to her credit, did not hesitate coyly, drawing back from touching the body of a stranger. She dived for him and the protective covering, and as soon as he felt her all along the length of his body, he closed the cloth around both of them, one wing-like arm drawing her against him. They lay there cocooned while he breathed evenly and she gasped in a kind of throaty cough. Shush, shush, he crooned to her in his mind, and after a while her spasms of cold ceased and she was silent.
They were lying face-to-face, close as lovers. In the darkness, he could not see her face, but he felt her uneven breath on his cheeks and mouth. And then, unbidden, his body betrayed the fact that he had not been near a woman in several months.
“Oh!” she exclaimed, and in spite of the tightness of the cloth around them, she tried to turn away from his adamantine groin.
Deeply amused, Flann spoke for the first time. “Volo vobis vesperum, O great lady. As ye can see, there is scant room to roll about like a cork in a barrel. Lie still.”
“You…you are a cad and a scoundrel! Touch me not!”
Flann lapsed again into silence, still grinning, his urgent groin pressing into her silken dress—not by design but by necessity of their unusual encounter. Completely encased by the tarred cloth, he could feel the insistent rain pummeling them, almost laughing at them, daring them to change position. And so, he merely lay stretched out, one arm around her shoulders, enjoying this last night under the vast sky of his beloved Éire.
They lay immobile for half an hour, by his reckoning. He could feel that her shivering had ceased completely, and he knew that the warmth of his body was saving her from an agony of wet and cold. Her breath on his face was regular and easy, as though she had fallen asleep. And so, he shifted slightly, trying to ease the pressure on his groin by moving away from her.
Nolo tangere!” she hissed. Touch me not!
“Ye be a scourge and a nag and not in the least desirable to me. Do ye understand? Do ye know nothing of the ways of a man?”
“I know enough,” she whispered defiantly. “I know I would rather die than be ravished by a—a low criminal.”
“Ye’ll deem yourself fortunate to be touched by any man at all, your highness. For while your body is not repugnant, your attitude is. I have a mind to let ye loose to the wind and the rain. Believe me, I would sleep more soundly by meself.”
She began to struggle under the cover, and Flann held her even closer, suddenly reluctant to let her go. 


What really happened under the cover that night? The answer to that question tells the story of Fire & Silk.

Publisher: SirenBookStrand
Genre: Historical Romance
Heat rating: “Steamy”

Erin O’Quinn has also published a historical romance trilogy, The Dawn of Ireland, and an erotic M/M historical titled Warrior, Ride Hard. Please see the signature line below.

OQ Erin O’Quinn’s Gaelic blog:   http://bit.ly/Jgz6tU
Erin O’Quinn’s Manlove blog:  http://romancemanlove.wordpress.com/
Storm Maker:  http://amzn.to/O218y7
The Wakening Fire : http://amzn.to/N1Gc6C
Captive Heart:  http://amzn.to/Qm8b1X
Fire & Silk:  http://amzn.to/P6jZtn
Warrior, Ride Hard:  http://www.bookstrand.com/warrior-ride-hard