Showing posts with label ancient Rome. Show all posts
Showing posts with label ancient Rome. Show all posts

Friday, 21 February 2020

Seasonal drinks for festive times - beer, ale, mead and wine.

Nefertiti pours wine for AkhenatenIn my historical romances I write about every season and sometimes include scenes from seasonal celebrations, such as the winter Saturnalia in ancient Rome. Then, as now, drink was an important part of such festivals, but what kinds of drink?

In ancient Egypt, people drank beer or wine. The aristocracy enjoyed sweet wine spiced with honey and the juice of pomegranates. There was red or white wine, with the wine of Buto in the Delta being considered some of the best, but wine was also imported from Syria, Palestine and Greece. The ordinary Egyptian drank beer, made from fermented barley bread and sieved first to remove the bits, and the results are familiar enough: ‘Thou art like a broken steering-oar in a ship,’ says a school text from the New Kingdom, ‘…Men run away from before thee, for thou inflictest wounds on them… Thou dost reel, and fallest on thy belly and art besmirched with dirt.’

You can read more about the ancient Egyptians in my novel "Blue Gold" which is just 99 cents or 99p.

UK https://amzn.to/2H1BUUt                    

Historical Novel Review http://bit.ly/2tTxfeu






Roman wine on board ship through GaulAncient Romans had a range of beverages to choose from during their mid-winter celebration of the Saturnalia. (December 17th to 23rd.) Romans like L. Lucullus, rich beyond belief after military campaigns in the East, had wine tables at their feasts, huge amphorae containing the wine, long spoons to scoop it out and sieves to strain the lees. Herbs could be added to Roman wine, for colour and flavour, and it was usually diluted with water - boiling water in winter, so the wine could be served warm. There were libations to the gods poured with wine and games played with wine. The Romans enjoyed sweet and dry wines, white, yellow, red and black wines.The black was mature Falernian, which began as a sweet white from grapes picked late, after frost, and darkened as it matured, deepening in flavour over the years (and increasing in price – showy gourmets like Lucullus certainly made a point of serving it).

                                                                                                                                                                                                                                                                                                                                   
You can read about ancient Romans and Roman Britain in my romance novel, "Flavia's Secret." This is only 99cents or 99p and its climax takes placing during the Saturnalia.

FLAVIA’S SECRET Dare Celtic Flavia trust her new Roman Master Marcus? #99cents https://amzn.to/2Mk5zqS




Willam the Conqueror feasts in England ahead of the Battle of Hastings (from the Bayeux Tapestry)A drink common to ancient Roman and northern European lands was mead, made of honey and water. Mead was the drink of choice at Anglo-Saxon feasts. Because drinking water was so often impure in the ancient world, ale was the 'everyday' drink, but mead was for feasting. There were mead halls and, in the halls, mead benches, where men sat drinking side by side. Drinking horns and glasses were richly ornamented and highly prized. Anglo-Saxon wine, some grown from grapes that could flourish in the south of England, was light, quickly consumed and not very strong. Ale, drunk by all ages, was a
sweetish, thick drink, again not very alcoholic. Mead was the intoxicating draft, subject of riddles and poetry and drunk prodigiously in seasonal feasts. A later recipe from the fourteenth century describes ‘fine mead’, with the honey pressed from the combs and added to water left after boiling the empty combs (as for ordinary mead), then flavoured with pepper, cloves and apples and left to stand.

Magnus and Elfrida, hero and heroine in my medieval Christmas romance, "The Snow Bride" know mead,  as do Conrad and Maggie, hero and heroine of my holiday romance "Sir Conrad and the Christmas Treasure."





Happy Holidays!

(All pictures from Wikimedia Commons).

Lindsay
http://www.lindsaytownsend.co uk 

Thursday, 16 November 2017

"Apollo's Raven" Guest Post by author Linnea Tanner

“Apollo’s Raven,” Historical Fantasy set in Ancient Rome and Britannia

Linnea Tanner




“Apollo’s Raven” is a Celtic tale of forbidden love, magical adventure, and political intrigue.


Blurb:

24 AD Britannia is in turmoil. Celtic kings hand-picked by Rome to rule are fighting each other for power. The Celtic Warrior Princess Catrin is swept into a political web of deception when the Roman Emperor Tiberius demands allegiance from her father, King Amren.

After King Amren takes Marcellus, the great-grandson of Mark Antony, as a hostage, he demands that Catrin spy on him. Romantically drawn to Marcellus, she learns a curse cast by the former queen threatens the fates of the king and herself. Torn between her forbidden love for the enemy and loyalty to her family, Catrin calls upon the mystical powers of the Ancient Druids to alter the dark prophecy that looms over her.



Excerpt (taken from the first chapter when Catrin enters her raven’s mind to scout the warships landing offshore near the white cliffs):

Catrin again hesitated. Once before, when she had melded and disconnected from her raven guide, she lost consciousness. It took awhile for her head to clear after that episode. If that happened again, it could spell disaster so close to the precipice.
She stepped away from the cliff’s edge and stared into the Raven’s eyes, which glowed like amber gems. The bird’s talons emitted a bolt of electric heat into her arm. A light flashed in her mind, and the Raven’s essence permeated her core being. She knew that she had entered the Raven’s prescient mind.
The landscape appeared blurry until she adjusted to the Raven’s eyesight. Brightly colored wildflowers dazzled her with purple hues that she was unable to detect with her human eyes. A thrill rushed through her veins as she sensed the bird’s breast muscles contracting to flap its wings. When the Raven began its thrust into flight, she felt the misty air lift its outstretched wings.
When the Raven soared toward the channel, she could see her human form standing as motionless as a statue on the emerald hilltop clasped to the jagged precipice. The sheer chalk cliffs formed an impenetrable wall against the crashing waves. Beyond the cliffs, there was a sparsely vegetated shoreline toward which several ships were sailing and where other vessels were moored. Armored infantrymen were disembarking, wading to the shore, and marching across the beach. On higher ground, soldiers set up tents in a square encampment. One of the guards had a lion’s head covering his helmet. In his hands was a pole with a silver eagle on top. She assumed it meant powerful animal spirits were guiding them.
A palatial tent in the center of the encampment caught her eye. Its outside walls were made of twined linen sheets, violet and red, brocaded with eagles. Surrounding the central structure were crimson banners, each emblazoned with the sun god in a horse-driven chariot. At the tent’s flapped entrance were two foreign noblemen attired in purple-trim white togas. Another man, towering over the foreigners, wore a rustic toga and plaid breeches—garments that nobles from her kingdom typically dressed in. From the back, he looked familiar, his thick coppery hair draped over his shoulders like a lustrous wolf pelt.
To confirm her suspicions that she knew this tall, brawny man, Catrin directed the Raven to circle around, so she could get a closer look. When the man’s ghostly, disfigured face came into view, her heart wrenched. She recognized her half-brother, Marrock.
Grotesque images of ravens pecking tissue out of his face flashed in her mind. For seven years, she had believed herself safe from him, but there he was—a specter arisen from the cold ashes of her nightmares.
Why has he returned with an army?
A sense of doom crawled all over her when Marrock’s head tilted back, as though he knew her essence was flying overhead. His blue-green eyes began glowing and changed to the same amber-gem color as her raven whenever she harnessed its magical power. The Raven’s muscles suddenly paralyzed, freezing its wings. A strong force pulled her through a crevasse in the Raven’s mind and hurtled her into a tunnel of brilliant gold light.
She plummeted, tumbling out of control, toward a black portal in the center of a rainbow-colored arch.

Biography

Linnea Tanner weaves Celtic tales of love, magic, adventure, betrayal and intrigue into historical fiction set in Ancient Rome and Britannia. Since childhood, she has passionately read about ancient civilizations and mythology which held women in higher esteem. Of particular interest are the enigmatic Celts who were reputed as fierce warriors and mystical Druids.

Depending on the time of day and season of the year, you will find her exploring and researching ancient and medieval history, mythology and archaeology to support her writing. As the author of the “Apollo’s Raven” series, she has extensively researched and traveled to sites described within each book.

A native of Colorado, Linnea attended the University of Colorado and earned both her bachelor’s and master’s degrees in chemistry. She lives in Windsor with her husband and has two children and six grandchildren.




Below are the buy links for "Apollo's Raven"
 
  

Sunday, 15 June 2014

Guest blog: Chris Westcott - 'In the Shadow of Tyranny'

When the Emperor Nero causes the death of his parents, Gaius sees his future dreams and aspirations brutally shattered. Unexpectedly thrown a lifeline by Vespasian, his father’s closest friend and a celebrated military leader, an offer of a role in the campaign for Judea, finds him playing a pivotal role in the epic battle for Jerusalem.

Summoned back to Rome by Domitian, the new Emperor and his lifelong friend, Gaius finds his friend a changed man, a man capable of cold-blooded murder, and Gaius is swiftly dispatched to distant Britannia with orders for the island’s legendary governor, Agricola.

Forming a mutual respect with Agricola, Gaius embarks on a campaign that will end in triumph and terror, as with the opportunity to expand the Empire within their grasp, Gaius will find himself facing a choice on which the lives of his family and the fate of an Empire will hang.

Buy from Amazon UK


Bio:

I have been obsessed by all things Ancient Rome for the best part of a decade. Having lost track of the number of fictional novels and historical books I have devoured, I was determined to make my own contribution to the genre. I have recently finished having my first novel, In the Shadow of Tyranny, edited and have finally summoned the courage to release it. My second novel (title to be determined!) is nearing completion.

To keep in touch for updates including titles coming soon, search for 'In the Shadow of Tyranny' on Facebook or find me on twitter @CWAncientRome.

Chris Westcott

Wednesday, 18 December 2013

Io, Saturnalia! - plus new excerpt from historical Roman Romance, 'Flavia's Secret,' 99c, 99p

It may not have been Christmas exactly, but the ancient Roman Saturnalia (17th-23rd. December) was certainly an opportunity for feasting and gift-giving. Over the years, this time of merry-making, sacrifices and gift-giving expanded to a week and the poet Catullus - who knew a thing or two about parties - called it 'the best of days'.

In many ways this ancient festival was rather like Christmas:

Schools were on holiday.

Gambling was allowed.

Shopping at special markets was encouraged.

Holiday clothes were worn - the informal, colourful 'dining clothes' instead of the plain, bulky toga.

Presents were given - parrots, wax candles, dice, combs, perfumes, little pottery dolls.

Feasting was indulged, with Saturn himself in charge as Lord of Misrule.

People wished each other a merry Saturnalia with the evocation, 'io Saturnalia!' ('Yo Saturnalia!')

My ancient Roman historical romance Flavia's Secret has its climax and ending during the Saturnalia.

The Pompeiian partygoers in the picture come from the BBC's Ancient Rome pages.

Here is an excerpt from Flavia's Secret. Flavia is in ancient Roman Bath, Aqaue Sulis, shopping for last-minute items needed for the Saturnalia.


EXCERPT. 


Flavia was as quick as she could be but there were queues everywhere in the food shops and spice and trinket stalls as slaves and even citizens shopped for last minute items for the Saturnalia. It was the first time she had been in the city this close to the festival. In other years, Lady Valeria had given her people small gifts of pickled fish and nuts but had otherwise ignored the Saturnalia, insisting that her servants remain indoors and serve her, rather than follow the tradition that at the Saturnalia the household slaves for one day at least were waited on by their masters.

‘The Saturnalia is a rowdy, vulgar, drunken festival, little more than an orgy,’ Lady Valeria had complained. ‘I will have no part of it in my house.’

Her words may have been true, but as the morning progressed, Flavia saw little to alarm her. The people in these snowy streets were intent on their money or goods. A few roughly-dressed men were crouched over gaming tables and she passed a group of giggling young slave girls, all waving napkins given to them as presents, but there was no sign of drunkenness or of wild orgies. Many workshops were shuttered and closed and houses the same. There was a distant grumble of noise coming from the theatre, close to the great bathing complex, but no raised voices.

Unsure whether to be glad or disappointed, Flavia swapped her basket from one arm to the other and sped on through the slushy snow. She longed to stay and find some gifts for Gaius and the others - especially for Marcus, her heart whispered - but she still had not enough money of her own. With a sigh, her final purchase haggled for and bought, she turned to make her way home, avoiding the wine shops and taverns and drawing her shawl over her blonde hair each time she crossed a busy street.

She was close to the blank front entrance of the deserted villa where she had taken Marcus to see the secret garden and pool when she heard the sounds of flutes and drums approaching from a narrow, snow-filled alleyway.

‘Ow!’ She put a hand to her ear, which had just begun to sting. A small apple lay at her feet in the snow and as she stared at it, she realized  that it must have been thrown down at her from the upper living quarters over one of the shuttered shops.

‘To Saturnalia!’ roared a good-natured male voice overhead. More small apples and nuts and then a cluster of sweetmeats rained down on Flavia and others in the street. People scrambled on hands and knees to pick up the fruit and other foods, while the racket of the flutes and drums drew nearer.

A prickle of alarm, cold as an icicle, shot down the length of Flavia’s back. Trusting her instincts, honed by years of slavery, she flattened herself into the nearest shadowy doorway, glad of her inconspicuous brown gown as she veiled her face with one end of the shawl. Scarcely breathing, she waited for this parade to go by.

They were all men. At least a score of brightly-dressed young men, several puffing cheerfully on long flutes or banging on drums and all with the rich, sleek look of Roman aristocrats and the free-born. These were revelers: quite a few clutched jugs of beer or wine which they carelessly drank from. Flavia prayed they would not notice her.

The last stragglers swayed past her hiding place. One, stumbling in the snow with heavy deliberateness, dropped to his knees close to where she was. He did not see her, but his two friends, slithering over the slush and ice to haul him up, spotted the small, wary figure in the shadows and shouted.

 ‘Hey, girl, join us!’

‘Let me give you something,’ the second leered, making a crude gesture with his hand.

Flavia darted away before the two men trapped her in the doorway.

‘Hey, come back!’

‘Party time!’

‘We have the wine and you are the orgy!’

Backing along the street, Flavia heard an ominous silence descend among the flute players and drummers. Walking as rapidly as she could in a clumsy, sideways fashion, she did not speak, or run. She did not want to provoke them.

Under her fear, her mind was still working. If she could only reach the crossroads, she would take the short-cut down the street of the fullers and make for the shrine of the goddess Sulis at the Roman baths. She was Christian but these men were pagans. Surely they would respect their own sacred place? Surely the goddess would protect her?

None of the other bystanders or shoppers raised a word against the rich, spoilt Romans. Flavia knew she was alone and would have to deal with them herself. She thought of Marcus, going into battle, facing down his enemies. He had not turned and run, and she would not.

One step after another, she edged along the twisting, foul-smelling street of the fullers, who today at least were not laboring over their vats of washing.

‘Hey, she is leaving us!’

‘Going away, the stuck-up -’

Flavia closed her ears and tightened her grip on her basket. She could see the flute players and drummers returning to join their more drunk companions, see them pointing at her, muttering among themselves.
But I am going to make it, she thought desperately, just as the hue and cry began:

‘Get her!’

‘Run her down!’

‘We need no toga girls if we grab her!’

‘Why pay for pleasure when we can have it for free?’

‘Get her!’

Flavia was already running, pelting along the street as if there was no snow underfoot, losing things out of her basket and not caring what they were. Panting, her vision beginning to double as she sprinted at the very limit of her speed, she fixed on the temple of the goddess Sulis and fled her leaden-footed, cursing pursers.

‘Come here, you -’

Behind her, a coarse hand grabbed at her shawl. She tore it away, escaping again, and passed bare-headed into the temple preci nct of the shrine and bathing complex where she collapsed, sobbing but safe, against one of the many smoking altars.

Flavia's Secret - an ebook, print and audio book. Free to read with Kindle Unlimited


FLAVIA’S SECRET #99cents https://amzn.to/2Mk5zqS
#99p https://amzn.to/2Hi2B7r

Happy Saturnalia!


Sunday, 19 May 2013

Lindsay Townsend: 'Escape to Love'. Opening Excerpt

Here's the opening of my erotic historical romance, 'Escape to Love.' This novella is set in ancient Rome. The cover shows a Roman 'bikini' - a two piece costume very popular with Roman women spending time at the notorious summer resort of Baiae.


Chapter 1

Rome AD 125
He came awake. A prickling discomfort, sharpening to pain, jabbed into the middle of his back.
“Have I your attention?'” The whisper was close to his ear. He tried to turn and the knife held at his back pricked him again. “Do not look round!”
The knife-wielder was female, young, and scared. Severus could have disarmed her in less than a breath, but he guessed that she had things to tell him, things he needed to hear. So much that was strange had already happened to him today that he was astonished he had slept at all.
“Who are you?” he murmured.
“You will know, soon enough, although I tell you now that I did not know of your existence before yesterday.”
He felt her hot breath against his naked shoulder, smelt her clean skin and the peppermint leaves she used to freshen her mouth. A thread of finely-woven cloth brushed his lower back: she was crouched close to where he lay on the tiles, her knife prodding against his spine. Whoever she was, the girl was no slave, although she was as fast and nervous as one, creeping upon him in the deserted atrium. “Did you douse the lights?” he whispered in Latin.
“Yes, and drugged the maid who is my keeper, so listen! Tomorrow may be a shock at first to you - it certainly was to me and I have had a full day to reflect on it, but keep this in mind: it is a chance for you. If you pass the trial tomorrow - don't ask what, there's no time to explain! - We’ll both be sent away to the family villa at Baiae. You will have a full month. Use the days to work out an escape for yourself. Pretend you do not understand much Latin. They’ll be expecting that and it may work to your advantage. They may promise you riches and freedom. Don’t believe them! If their plans work, they will never let you live. Do you understand Greek?”
Startled by the question, he automatically answered, “Yes.”
“Good, because they do not. It may be we can speak together after all, so long as we take care.”
“What is this month you speak of? What is Baiae?”
“You will know what the month is tomorrow. Baiae is a city beside the sea, a place of hot springs, theatres, parks and boating parties; where the rich and noble go for their summer holidays. A place where behaviors frowned on here near Rome can be indulged. Now I must grope my way back, before I am missed. Farewell!”
This last was in Greek. He felt a pair of soft warm lips kiss his shoulder and even as he rolled onto his stomach, trying to catch a glimpse of her in the humid darkness, the young woman was gone. He peered into the shadows of a corridor, willing his eyes to see more, but could scarcely make out his own hands.
He waited a few moments, listening, but the great hall remained as dark and silent as a tomb. Rolling onto his back, Severus thought of the woman's warning and recalled the previous day, when everything in his life had changed.
Until yesterday he had been a field-slave, picking grapes, hoeing fields, fixing carts, repairing walls - any task about the huge farm that the overseers wanted doing quickly and well. He labored hard because it was a point of pride to do so and because then he would sleep through the night, untroubled by dreams. Yesterday had been different, beginning at dawn when two overseers had shackled him in irons and brought him to the main house, where he had never been before.

Blurb.


Severus is a slave, dragged from the fields to an uncertain future. Warned to expect no mercy from a mysterious young woman who comes to him in the night, he learns that his natural father is his owner, Calvus, and that he has a half-brother, Thallus.

Thallus has no sexual interest in women but he is desperate for an heir. Severus and Thallus' sexy young wife Lydia, whom Severus recognizes as the mystery woman who warned him, are sent to the family palace at Baiae and expected to breed.

Lydia, used to an unconsummated, loveless marriage, is intrigued by the handsome Severus and appalled by her husband's and father-in-law's treatment of him. She finds herself anticipating their lovemaking. She also wants to help Severus to escape because she knows that once he has served his purpose, Thallus and Calvus will never let him live.

They have just a month to escape.


Lindsay Townsend





Wednesday, 20 February 2013

Guest blog: Elisabeth Storrs - 'The Wedding Shroud'

The Wedding Shroud:  
A Tale of Ancient Rome


‘All the drama and sensuality expected of an historical romance, plus a sensitivity to the realities of life in a very different time and world…’ Ursula Le Guin








Buy at Amazon

In 406 BC, to seal a tenuous truce, the young Roman Caecilia is wedded to Vel Mastarna, an Etruscan nobleman from the city of Veii. The fledgling Republic lies only twelve miles across the Tiber from its neighbour, but the cities are from opposing worlds so different are their customs and beliefs. Leaving behind a righteous Rome, Caecilia is determined to remain true to Roman virtues while living among the sinful Etruscans. Instead she finds herself tempted by a hedonistic culture which offers pleasure and independence to women as well as an ancient religion that gives her a chance to delay her destiny. Yet Mastarna and his people also hold dark secrets and, as war looms, Caecilia discovers that Fate is not so easy to control and that she must finally choose where her allegiance lies.

Exploring themes of sexuality, destiny versus self-determination and tolerance versus prejudice, The Wedding Shroud is historical fiction at its best which vividly brings Ancient Rome and Etruria to life while accenting the lives of women in ancient history. It is the first book in a trilogy set in Ancient Rome and Etruria and was judged Runner-Up in the 2012 Sharp Writ Award for general fiction. The sequel, The Golden Dice, will be released in 2013.


Prologue:

Her whole world was orange.
Shifting her head to one side, feeling the weight of the veil, hearing it rustle, her eyes strained to focus through the fine weave.
Orange. The vegetable smell of the dye had been faint when she first donned the wedding veil, but now its scent filled her nostrils and mouth, the cloth pressing against her face as she walked to where the guests were waiting.
The atrium was crowded. So many people. Shaking, legs unsteady, Caecilia found she needed to lean against her aunt Aurelia. Through the haze of the veil she could barely make out the faces of the ten official witnesses or that of the most honoured guest, the Chief Pontiff of Rome.
And she could not see Drusus. Perhaps he could not bear to witness her surrender.
‘Stand straight, you’re too heavy,’ hissed her aunt, pinching the girl’s arm.
Biting her lip, Caecilia was led forward. The groom stood before the wedding altar, ready to make the nuptial offering. Her uncle Aemilius smiled broadly beside him.
Aunt Aurelia, acting as presiding matron, deposited her charge with a flourish then fussed with the bride’s tunic. She was revelling in the attention and smiled vacuously at her guests, but the girl was aware that, for so crowded a room, silence dominated.
Drawing back her veil, Caecilia gazed upon the stranger who was to become her husband. To her surprise, his black hair was close-cropped and he was beardless. She was used to the long tresses of the men of Rome—and their odour. This man smelled differently; the scent of bathwater mixed with sandalwood clung to his body.
Head bowed, she tried in vain to blot out his existence no more than a hand’s breadth from her side, but she need not have bothered. He made no attempt to study either her face or form.
‘The auspices were taken at sunrise,’ declared Aemilius. ‘The gods confirm the marriage will be blessed.’
Bride and groom sat upon chairs covered with sheepskin and waited while the pontiff offered spelt cake to Jupiter.
There was a pause as they stood and circled the altar, then the priest signalled Aurelia to join the couple’s hands.
Caecilia wished she could stop shaking. She had to be brave. She had to be dignified. But her body would not obey her. She was still quaking when Aurelia seized her right hand roughly and thrust it into the groom’s.
The warmth and strength of his grip surprised her. Her palm was clammy and it occurred to her that her hand would slip from his grasp. Slowly, she turned to face him. He was old; lines of age ploughed his forehead and creased his eyes. He must be nearly two score years. What was he like, this man? Her husband?
Aware that she should be making her vows to him in silence, she instead prayed fervently that the gods would take pity and not make her suffer too long or too hard in his keeping.
His hand still encompassed hers. Before releasing her fingers, he squeezed them slightly, the pressure barely perceptible. She held her breath momentarily, amazed that the only mark of comfort she had received all day had been bestowed upon her by a foe.
She scanned his face. His eyes were dark and almond-shaped, like the hard black olives from her aunt’s pantry. His skin was dark, too, sun dark. A jagged scar ran down one side of his nose to his mouth.
He was far from handsome.
His toga and tunic were of a rich dark blue making all stare at him for a difference other than his race. Yet his shoulders were held in a martial pose, no less a man for his gaudiness, it seemed, than the Roman patricians around him in their simple purple-striped robes. And the bridal wreath upon his head could have been a circlet of laurel leaves, a decoration for bravery not nuptials.
A golden bulla hung around his neck, astounding her. For a man did not wear such amulets once he’d stepped over the threshold to manhood. Only children wore such charms in Rome. He wore many rings, too, but one in particular was striking. Heavy gold set with onyx. No Roman would garland himself with so much jewellery.
There was one other thing that was intriguing, making her wonder if his people found it hard to farewell childhood. His arms and his legs seemed hairless, as if they had been shaven completely.
Perfumed, short-cropped hair, no beard. Caecilia truly beheld a savage.
Once again she steeled herself, repeating silently: ‘I am Aemilia Caeciliana. Today I am Rome. I must endure.’

Elisabeth Storrs

Elisabeth Storrs graduated from the University of Sydney in Arts Law majoring having studied Classics and has long held an interest in the history, myths and legends of the ancient world. Over the years she has worked as a solicitor, corporate lawyer, governance consultant and business writer. She lives with her husband and two sons in Sydney.